{"id":13105,"date":"2021-05-10T19:30:00","date_gmt":"2021-05-10T16:30:00","guid":{"rendered":"https:\/\/millidusunce.com\/misak\/?p=13105&preview=true&preview_id=13105"},"modified":"2021-05-11T04:02:33","modified_gmt":"2021-05-11T01:02:33","slug":"emine-isinsunun-biyografisi","status":"publish","type":"post","link":"https:\/\/millidusunce.com\/misak\/emine-isinsunun-biyografisi\/","title":{"rendered":"Emine I\u015f\u0131nsu’nun biyografisi"},"content":{"rendered":"

\u0130sa \u00d6ZKAN taraf\u0131ndan yaz\u0131lan bu makale 1982 y\u0131l\u0131nda T\u00f6re dergisinin 139. say\u0131s\u0131nda yay\u0131mlanm\u0131\u015ft\u0131r.<\/em><\/p>\n

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I\u015f\u0131nsu ve annesi H\u00e2lide Nusret Zorlutuna<\/p><\/div>\n

Be\u015feriyeti ilgilendiren her t\u00fcrl\u00fc olu\u015fu estetik ve terbiye a\u00e7\u0131s\u0131ndan ele alan sanat\u00e7\u0131y\u0131, daha \u00f6zel bir deyi\u015fle romanc\u0131y\u0131 tarife nas\u0131l yakla\u015fabiliriz? Biraz karma\u015f\u0131k olan bu konuda genellemelere gitmek m\u00fcmk\u00fcn olmamakla birlikte romanc\u0131, durmadan duyan ve d\u00fc\u015f\u00fcnen, i\u015fledi\u011fi konu, ortaya koydu\u011fu vak’a, \u00e7izdi\u011fi karakter ve tipleri ya\u015fam\u0131\u015f veya ya\u015fayan; teknik ve \u00fcsl\u00fbptaki ba\u015far\u0131s\u0131yla da okuyucuya ya\u015fatan kimsedir. Zaman zaman beyaz bir hayal ikliminde bazen de gerilimlerin girdab\u0131nda, ona y\u00f6n vermeye \u00e7al\u0131\u015fan birisi. K\u0131saca, dertlerle, muhayyel zevklerle hemhal\u2026 T\u00fcrkiye’de bu \u00f6l\u00e7\u00fcy\u00fc tutturmu\u015f romanc\u0131n\u0131n pek fazla oldu\u011funu s\u00f6yleyemeyiz. Hele, -millet i\u00e7in sanat- \u00e7ilesine talip olan romanc\u0131 bir elin parmaklar\u0131 say\u0131s\u0131n\u0131 ge\u00e7meyecek kadard\u0131r. \u0130\u015fte bunlardan birisi de Emine I\u015f\u0131nsu (\u00d6ks\u00fcz).<\/p>\n

Ailesi ve e\u011fitim hayat\u0131<\/h2>\n

17 May\u0131s 1938’de Kars’ta do\u011fan Emine I\u015f\u0131nsu, sanat\u00e7\u0131 bir aileden geliyor.<\/p>\n

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Babas\u0131, Bulgaristan T\u00fcrklerinden emekli T\u00fcmgeneral Aziz Vecihi Zorlutuna, annesi Erzurum’un tan\u0131nm\u0131\u015f ailelerinden Zorluo\u011fullar\u0131’na mensup h\u00fcrriyet m\u00fcc\u00e2hidi Avnull\u00e2h K\u00e2z\u0131m\u00ee Bey’in k\u0131z\u0131 tan\u0131nm\u0131\u015f \u015f\u00e2ir ve yazarlar\u0131m\u0131zdan H\u00e2lide Nusret Zorlutuna’d\u0131r.<\/p>\n

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Emine I\u015f\u0131nsu’nun babas\u0131<\/p><\/div>\n

Asker bir baba ve \u00f6\u011fretmen bir annenin g\u00f6revlerinin tabi\u00ee ic\u00e2b\u0131 olarak, Emine I\u015f\u0131nsu, \u00e7ocuklu\u011funu \u00e7e\u015fitli Anadolu \u015fehirlerinde ge\u00e7irmi\u015ftir. \u0130lk\u00f6\u011frenimine Urfa’da ba\u015flam\u0131\u015f, Sar\u0131kam\u0131\u015f’ta devam ettirmi\u015f ve Ankara’da Alparslan \u0130lkokulu’ndan mezun olmu\u015ftur. Daha sonra TED Ankara Kolejinin Lise k\u0131sm\u0131n\u0131 1956-1957 \u00f6\u011fretim y\u0131l\u0131nda bitirerek orta \u00f6\u011frenimini tamamlam\u0131\u015ft\u0131r. Bu arada, orta \u00f6\u011frenimi s\u0131ras\u0131nda E\u011fitim Dergisi\u2019nde \u00e7\u0131kan \u201c\u0130nsanlar\u201d<\/em> adl\u0131 ilk \u015fiiriyle edebiyat d\u00fcnyam\u0131za girmi\u015ftir. TED Ankara Koleji’nde \u015fair diye tan\u0131nan \u00f6\u011frenci Emine I\u015f\u0131nsu 17 ya\u015f\u0131nda da \u201c\u0130ki Nokta\u201d<\/em> adl\u0131 \u015fiir kitab\u0131n\u0131 yay\u0131mlar. Bu kitapta yer alan \u015fiirler, gen\u00e7lik psikolojisi ve heyecan\u0131 i\u00e7indeki ki\u015finin bir anl\u0131k fantazi duygular\u0131 intib\u00e2\u0131n\u0131 vermekte olup; tabiat, e\u015fya ve insan m\u00fcnasebetlerindeki m\u00fcphemiyet, mutlak bir otorite aray\u0131\u015f\u0131n\u0131 ifade etmektedir.<\/p>\n

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Y\u00fcksek\u00f6\u011frenimine babas\u0131n\u0131n tesiriyle ilk defa DTCF’nin \u0130ngiliz Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fc’nde ba\u015flar. Bu arada bir \u201cFullbright\u201d bursu imtihan\u0131n\u0131 kazanarak, sosyal m\u00fcesseselerde \u00e7al\u0131\u015fmak \u00fczere Amerika’ya gider. Bu m\u00fcesseselerde yirmi\u015fer g\u00fcnl\u00fck kurs g\u00f6r\u00fcp, alt\u0131 ay kadar \u201cSosyal Akademi Uzman\u0131\u201d (social worker) olarak \u00e7al\u0131\u015f\u0131r. Daha sonra tekrar T\u00fcrkiye’ye d\u00f6nen E. I\u015f\u0131nsu, ODT\u00dc\u2019n\u00fcn \u0130\u015fletmecilik B\u00f6l\u00fcm\u00fc’ne kay\u0131t yapt\u0131r\u0131rsa da, baz\u0131 sebeplerden dolay\u0131 buradan ayr\u0131larak, 1959’da Hukuk Fak\u00fcltesi’ne girer.<\/p>\n

I\u015f\u0131nsu, bu arada mimar Erdo\u011fan Ok\u00e7u ile evlenir. DTCF’nin Felsefe B\u00f6l\u00fcm\u00fc’ne kayd\u0131n\u0131 yapt\u0131r\u0131r. Bir taraftan felsef\u00ee ve psikolojik konularla ilgilenip, psikolog olmak arzusunu ta\u015f\u0131rken, bir taraftan da ayn\u0131 fak\u00fcltenin Tiyatro k\u00fcrs\u00fcs\u00fc derslerine devam eder(1960). Ailesinden kaynaklanan bir tak\u0131m meselelerden dolay\u0131 devam etmekte oldu\u011fu felsefe \u00f6\u011frenimine de son vermek mecburiyetinde kal\u0131r.<\/p>\n

Roman yazarl\u0131\u011f\u0131<\/h2>\n

Bu, \u00e7e\u015fitli dallardaki k\u0131sa s\u00fcreli y\u00fcksek tahsil hayat\u0131, Emine I\u015f\u0131nsu’nun \u00e7ok y\u00f6nl\u00fc sanat\u00e7\u0131 ki\u015fili\u011finin olu\u015fmas\u0131na tesir eder. \u00d6yle ki O, \u015fiir, hik\u00e2ye, roman, tiyatro, hatt\u00e2 f\u0131kra yazarl\u0131\u011f\u0131 gibi hemen her t\u00fcr\u00fc dener. Fakat as\u0131l ba\u015far\u0131s\u0131n\u0131 romanda g\u00f6sterir.<\/p>\n

1961-1963 y\u0131llar\u0131 aras\u0131nda kaleme ald\u0131\u011f\u0131, Turizm ve Tan\u0131tma Bakanl\u0131\u011f\u0131’n\u0131n roman m\u00fck\u00e2fat\u0131n\u0131 kazanan \u201cK\u00fc\u00e7\u00fck D\u00fcnya\u201d ilk roman\u0131d\u0131r. Daha sonraki y\u0131llarda yazd\u0131\u011f\u0131 tezli romanlar\u0131na nazaran bu eserinde, aile saadeti, e\u011fitim bozukluklar\u0131 gibi be\u015fer\u00ee konular\u0131, ya\u015fanm\u0131\u015f hissini veren vakalarla s\u00fcsler. \u015eah\u0131s kadrosunda kontrastlarla muv\u00e2zene sa\u011flanm\u0131\u015f, derin psikolojik tahlilleri verilen karakterler, belirli aksiyonla takdim edilmi\u015flerdir. Eserin b\u00fct\u00fcn\u00fc, bildik ideolojik kal\u0131plardan \u00e2z\u00e2de, sanat end\u00ee\u015fesi a\u011f\u0131r basan mesajlar\u0131 ta\u015f\u0131maktad\u0131r.<\/p>\n

\u201cKad\u0131n\u201d, \u201cHisar\u201d<\/em> gibi dergilerde yay\u0131mlanan f\u0131kra ve hik\u00e2yeleriyle sa\u011flad\u0131\u011f\u0131 kalem tecr\u00fcbesi ve \u015f\u00f6hret, Yeni \u0130stanbul gazetesinde 1962-1963 y\u0131llar\u0131 aras\u0131nda m\u00fcstakil k\u00f6\u015fe yazarl\u0131\u011f\u0131n\u0131 getirir. Siy\u00e2s\u00ee konularla ilgili \u201cDedikodu\u201d ba\u015fl\u0131kl\u0131 s\u00fctunda, Mehlika m\u00fcste\u00e2r\u0131yla g\u00fcnl\u00fck f\u0131kralar yazar.<\/p>\n

1963-1965 tarihinde. E. I\u015f\u0131nsu’nun yazarl\u0131k hayat\u0131nda profesyonel gazetecili\u011fe do\u011fru bir hamle g\u00f6ze \u00e7arpar. \u0130rfan Atag\u00fcn, \u00d6mer \u00d6zt\u00fcrkmen, Ergun G\u00f6ze ile birlikte Sabah gazetesini ne\u015frederler. Bu gazetedeki 1,5-2 y\u0131l s\u00fcren f\u0131kra yazarl\u0131\u011f\u0131, gazetenin el de\u011fi\u015ftirmesi ve siy\u00e2s\u00ee sebeplerle sona erer. Devaml\u0131, entelekt\u00fcel bir \u00e7evre i\u00e7erisinde bulunan E. I\u015f\u0131nsu, 1965’den sonra de\u011fi\u015fen T\u00fcrkiye \u015fartlar\u0131nda, i\u00e7tima\u00ee, siy\u00e2s\u00ee, tarih\u00ee her t\u00fcrl\u00fc meseleyle ilgilenmi\u015f, edeb\u00ee gelene\u011fi bozan, b\u00f6l\u00fcc\u00fc ve y\u0131k\u0131c\u0131 fikirlerle kom\u00fcnist d\u00fczen kopyac\u0131l\u0131\u011f\u0131n\u0131n telkinine kalk\u0131\u015fan s\u00f6zde yazarlara kar\u015f\u0131, T\u00fcrk milliyet\u00e7ili\u011fi \u00fclk\u00fcs\u00fcn\u00fc sanat\u0131yla mecz edip, eserler vermi\u015ftir.<\/p>\n

1966 y\u0131l\u0131nda TRT taraf\u0131ndan a\u00e7\u0131lan radyofonik piyes m\u00fcsabakas\u0131n\u0131 birincilikle kazanan \u201cBir Y\u00fcrek Sat\u0131ld\u0131\u201d <\/em>adl\u0131 eseriyle tiyatro alan\u0131nda da ad\u0131n\u0131 duyurur. Ruh\u00ee tahlillere dayanan; madde-ruh dengesini kuramayan cemiyetlerin bunal\u0131mlar\u0131n\u0131n temel fikir olarak verildi\u011fi bu kitapta; yozla\u015fm\u0131\u015f de\u011fer h\u00fck\u00fcmlerini temsil eden bal\u0131k\u00e7\u0131lar, bencilli\u011fe mahk\u00fbm gen\u00e7 adam, kad\u0131nlar\u0131n zay\u0131f yarat\u0131l\u0131\u015fta birer varl\u0131k olduklar\u0131n\u0131 tesc\u00eel eden gen\u00e7 kad\u0131n, m\u00fccerret \u015fah\u0131s kadrosunu olu\u015fturuyorlar. Bu eserinin ard\u0131ndan \u201cBir Milyon \u0130\u011fne\u201d<\/em> adl\u0131 piyesini ne\u015freder. Hareketin az oldu\u011fu oyunda insanlar\u0131n, yabanc\u0131 ideolojilerin tuzaklar\u0131na hangi sebeplerle ve nas\u0131l d\u00fc\u015ft\u00fckleri, ruh\u00ee \u00e7\u0131kmazlar\u0131 ba\u015far\u0131yla veriliyor. Tasvirlerdeki if\u00e2de kudreti ve yazar\u0131n sanat g\u00fcc\u00fcn\u00fcn yo\u011funla\u015ft\u0131\u011f\u0131 eserdeki h\u00e2diseler ger\u00e7ek hayattan al\u0131nm\u0131\u015f intiba\u0131n\u0131 ta\u015f\u0131maktad\u0131r. \u201cNe Mutlu T\u00fcrk’\u00fcm Diyene\u201d<\/em> adl\u0131 ilk ve ortaokul \u00e7ocuklar\u0131 i\u00e7in yazd\u0131\u011f\u0131 \u00fc\u00e7 perdelik piyeste ise; T\u00fcrk do\u011fman\u0131n, T\u00fcrk olman\u0131n \u00e7ileyle kazan\u0131lan mefahiriyeti bir masal havas\u0131 i\u00e7inde on alt\u0131 T\u00fcrk devletiyle ve Mete, Atilla, Bilge Ka\u011fan, Dede Korkut, Romones Diogenes gibi tarih\u00ee \u015fahsiyetlerin karakterize edilmesiyle anlat\u0131l\u0131yor. \u201cAds\u0131z Kahramanlar\u201d<\/em> adl\u0131 radyofonik ske\u00e7lerinde de, tarihimizin tozlu sah\u00eefelerinde kalmaktan kurtar\u0131larak, \u00e7ocuklarda, gen\u00e7lerde, topyek\u00fbn milletimizde mill\u00ee \u015fuur uyand\u0131rmaya vesile olacak; ads\u0131z, sans\u0131z bir avu\u00e7 kahraman\u0131n ger\u00e7ek hayat maceralar\u0131n\u0131n bizzat yazar taraf\u0131ndan derlenip oyun h\u00e2line getirildi\u011fini g\u00f6r\u00fcyoruz.<\/p>\n

I\u015f\u0131nsu, hemhudut oldu\u011fumuz kom\u015fu devletlerde ya\u015fayan T\u00fcrk varl\u0131\u011f\u0131n\u0131n yak\u0131n ge\u00e7mi\u015fteki durumunu konu ald\u0131\u011f\u0131 romanlar\u0131ndan ilki \u201cAzap Topraklar\u0131”<\/em>da (1969) Bat\u0131 Trakya T\u00fcrkl\u00fc\u011f\u00fcn\u00fcn ac\u0131 ve \u0131st\u0131raplar\u0131n\u0131, ger\u00e7ek\u00e7i bir g\u00f6zlemle i\u015flemi\u015ftir. Yazar, bu eserinde, roman\u0131m\u0131zda sun’\u00ee k\u00f6yc\u00fcl\u00fck ak\u0131m\u0131n\u0131n yayg\u0131nla\u015ft\u0131\u011f\u0131 ve fabrika i\u015f\u00e7ili\u011fi, gecekondu gibi sanayi toplumuna ait ger\u00e7eklerin marksist diyalekti\u011fe uygun olarak istismar edilmeye ba\u015fland\u0131\u011f\u0131 s\u0131rada, mill\u00ee ihm\u00e2llerimizden birisi olan d\u0131\u015f T\u00fcrklerin esareti meselesine y\u00f6nelmi\u015ftir.<\/p>\n

Emine I\u015f\u0131nsu, T\u00fcrk tarihine kar\u015f\u0131 olan muhabbeti ve tarih zaviyesinden meselelere yakla\u015fan bir romanc\u0131 olmas\u0131 dolay\u0131s\u0131yla, kar\u015f\u0131m\u0131za de\u011fi\u015fik bir konuda, Anadolu’nun T\u00fcrkle\u015ftirilmesi-\u0130sl\u00e2mla\u015ft\u0131r\u0131lmas\u0131n\u0131 esas alan \u201cAk Topraklar\u201d<\/em> ile \u00e7\u0131kar. Bilhassa bu roman\u0131n dikkati \u00e7eken yan\u0131, romanc\u0131n\u0131n, Dede Korkut diliyle bug\u00fcnk\u00fc T\u00fcrk\u00e7emizi tam bir uyum i\u00e7erisine sokarak tarih\u00ee vak’alar\u0131 destanla\u015ft\u0131rmaya, tarih ile edebiyat\u0131 kayna\u015ft\u0131rmaya \u00e7al\u0131\u015fmas\u0131d\u0131r.<\/p>\n

Elli be\u015f y\u0131l yay\u0131n hayat\u0131n\u0131 s\u00fcrd\u00fc-ren ve T\u00fcrk milliyet\u00e7ili\u011fi fikir ve k\u00fclt\u00fcr hayat\u0131nda \u00f6nemli bir yeri olan T\u00fcrk Yurdu dergisinin yay\u0131m\u0131na son verilmesi \u00fczerine, E. I\u015f\u0131nsu 1969’da \u201cAy\u015fe\u201d<\/em> ad\u0131yla \u00e7\u0131kard\u0131\u011f\u0131 kad\u0131n dergisini \u201cT\u00f6re\u201d<\/em>ye \u00e7evirir. \u00d6nce \u0130stanbul’da yay\u0131mlanan bu dergi daha sonra Ankara’ya ta\u015f\u0131n\u0131r. 1981 y\u0131l\u0131na kadar I\u015f\u0131nsu’nun y\u00f6netiminde ne\u015fredilen bu dergi, \u201cMill\u00ee ve Milliyet\u00e7i Fikir ve Sanat\u201d alan\u0131nda \u00f6nemli bir bo\u015flu\u011fu doldurur. T\u00f6re d\u0131\u015f\u0131nda I\u015f\u0131nsu\u2019nun, Devlet, Hisar, Yeni Div\u00e2n, T\u00fcrk Edebiyat\u0131 gibi bug\u00fcn bir\u00e7o\u011fu kapanan dergilerde deneme, r\u00f6portaj, tenkit, makale ve hik\u00e2yelerinin \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n

Ailev\u00ee sebeplerden dolay\u0131 ilk e\u015finden ayr\u0131lan E. I\u015f\u0131nsu, 1972’de Prof. Dr. \u0130skender \u00d6ks\u00fcz ile evlenmi\u015ftir.<\/p>\n

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Sanc\u0131 (1975), Halide Edip’in Yeni Turan adl\u0131 eserinden yap\u0131 ve muhteva bak\u0131m\u0131ndan farkl\u0131 olmakla birlikte; fonksiyonlar\u0131 bak\u0131m\u0131ndan bir ortakl\u0131k g\u00f6ze \u00e7arp\u0131yor. Milliyet\u00e7i bir taban olu\u015fmas\u0131nda m\u00fcspet tesirleri olan eser, be\u015f y\u0131l i\u00e7inde 10. bask\u0131ya ula\u015farak en fazla satan kitaplar aras\u0131na girmi\u015ftir. 1970-1971 y\u0131llar\u0131 aras\u0131ndaki gen\u00e7lik m\u00fcc\u00e2deleleri, kendi toplumuna yabanc\u0131la\u015fm\u0131\u015f ve kom\u00fcnistlerin h\u00e2misi ayd\u0131nlar ve anar\u015fistler taraf\u0131ndan bir milliyet\u00e7inin \u015feh\u00e2deti gibi konular\u0131 muhtevi olan bu romanda vak’alar\u0131n bir k\u0131sm\u0131 ve \u015fah\u0131s kadrosu ger\u00e7ek hayattan al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/p>\n

1975 y\u0131l\u0131nda yay\u0131mlanan \u201cTutsak\u201d<\/em>, fert plan\u0131ndan, millet plan\u0131na tutsakl\u0131\u011f\u0131n roman\u0131d\u0131r. Binbir t\u00fcrl\u00fc \u00e7aresizlikler, huzursuzluklar sebebiyle insanlar\u0131n kendi i\u00e7inde ge\u00e7irdi\u011fi ruh erozyonuyla gaye olmaktan \u00e7\u0131k\u0131p, nefs\u00e2n\u00ee duygulara tutsak olmas\u0131; mill\u00ee de\u011ferlerin yozla\u015fmas\u0131n\u0131n aile yap\u0131s\u0131na tesirleri ve bu arada 1955-1960’l\u0131 y\u0131llarda g\u00fcn\u00fcbirlik hesaplar i\u00e7inde olan siy\u00e2si iktidarlar\u0131n Kerk\u00fck T\u00fcrklerinin katliam\u0131na kar\u015f\u0131 ilgisiz ve kay\u0131ts\u0131z kalmas\u0131 gibi iki \u00fc\u00e7 konuyu ihtiv\u00e2 eden bir roman.<\/p>\n

Emine I\u015f\u0131nsu’nun tezli romanlar\u0131ndan olan \u201c\u00c7i\u00e7ekler B\u00fcy\u00fcr\u201d<\/em> ve \u201cCanbaz\u201d<\/em> son eserleri. Canbaz’da (1982) sosyal ve ekonomik de\u011fi\u015fmeye u\u011frayan T\u00fcrkiye’deki sendikal hay\u00e2t\u0131n, i\u015f\u00e7i meselelerinin i\u00e7 y\u00fcz\u00fc anlat\u0131l\u0131yor. \u00c7i\u00e7ekler B\u00fcy\u00fcr ise, Deliorman-Rodop T\u00fcrkl\u00fc\u011f\u00fcn\u00fcn h\u00fcrriyet m\u00fcc\u00e2delesini \u015fiir diline yak\u0131n romanesk bir \u00fcsl\u00fbpla, bazen realize bazen de idealize edilmi\u015f karakter ve tiplerin \u015fahs\u0131n\u0131 konu alan, dramatik bir eser. Ara\u015ft\u0131rmaya dayanan cidd\u00ee bir g\u00f6zlem ve mant\u0131k\u00ee olarak tanz\u00eem edilmi\u015f olaylar \u015fah\u0131s kadrosuyla ahenkle b\u00fct\u00fcnle\u015fmi\u015f, vak’alar\u0131n ve \u015fah\u0131slar\u0131n tasvirleriyle sa\u011flanan tezat gerilimi art\u0131rm\u0131\u015ft\u0131r. Bu eser de di\u011fer tezli romanlar\u0131nda oldu\u011fu gibi, kapal\u0131 eser h\u00fcviyetini ta\u015f\u0131m\u0131yor. Roman\u0131n sonundaki kahraman\u0131n kaybolu\u015fu aksiyonu yok etmeyen, okuyucuyu vicdanen m\u00fcsterih h\u00e2le getiren y\u00fcce \u00fclk\u00fcler u\u011fruna kuts\u00ee bir kaybolu\u015ftur. B\u00f6ylesine bir \u00f6l\u00fcm, hem geride kalanlar, hem de g\u00f6\u00e7enler i\u00e7in yeni bir filizlenme, yeni bir hayat\u0131n ba\u015flang\u0131c\u0131d\u0131r.<\/p>\n

Emine I\u015f\u0131nsu; Tutsak, Azap Topraklar\u0131, \u00c7i\u00e7ekler B\u00fcy\u00fcr, romanlar\u0131nda tutsakl\u0131k ve h\u00fcrriyet kontraslar\u0131n\u0131 olaylar\u0131n ak\u0131\u015f\u0131 i\u00e7inde ki\u015filerin fonksiyonlar\u0131na y\u00fckleyerek vermi\u015ftir. Bir kad\u0131n romanc\u0131 olarak, kad\u0131nlar\u0131n cemiyet i\u00e7indeki an’ane, k\u00fclt\u00fcr ve inanc\u0131n \u015fekillendirdi\u011fi ya\u015fay\u0131\u015flar\u0131n\u0131, ruh\u00ee h\u00e2llerini gayet yak\u0131ndan tan\u0131d\u0131\u011f\u0131ndan kad\u0131n ki\u015fileri, evrensel boyutlarda yakalayarak ezilen ve ezilmeye kar\u015f\u0131 sonunda ba\u015fkald\u0131ran mazlumlar olarak vas\u0131fland\u0131r\u0131r. Bu kabul ve yorumun, Bir Y\u00fcrek Sat\u0131ld\u0131, Tutsak ve \u00c7i\u00e7ekler B\u00fcy\u00fcr adl\u0131 eserlerine yans\u0131d\u0131\u011f\u0131n\u0131 da g\u00f6r\u00fcyoruz.<\/p>\n

Emine I\u015f\u0131nsu, T\u00fcrk\u00e7enin tabi\u00ee mecras\u0131na da geli\u015fmesinin tezah\u00fcr\u00fc olan bug\u00fcnk\u00fc ya\u015fayan T\u00fcrk\u00e7eyle, eserlerinde mill\u00ee ve i\u00e7tima\u00ee meselelere temas etmi\u015f, realist bir bak\u0131\u015f a\u00e7\u0131s\u0131 ve g\u00f6zlemle sanat\u0131n\u0131 ifade etmi\u015ftir.<\/p>\n

Eserlerinin bir\u00e7o\u011fu 5. ve 6. bask\u0131ya ula\u015fan Emine I\u015f\u0131nsu, birisi k\u0131z (Elif), ikisi erkek (Ya\u011fmur ve Murathan) olmak \u00fczere \u00fc\u00e7 \u00e7ocuk annesidir.<\/p>\n

Eserleri<\/h2>\n

\u0130lk yay\u0131n tarihlerini g\u00f6z \u00f6n\u00fcne alarak eserlerini \u015f\u00f6yle s\u0131ralayabiliriz.<\/p>\n

a) \u015eiirleri:<\/p>\n

1. \u0130ki Nokta (1956).<\/p>\n

b) Tiyatrolar\u0131 :<\/p>\n

1. Bir Y\u00fcrek Sat\u0131ld\u0131 (1966).<\/p>\n

2. Bir Milyon \u0130\u011fne (1967).<\/p>\n

3. Ne Mutlu T\u00fcrk’\u00fcm Diyene (1969).<\/p>\n

4. Ads\u0131z Kahramanlar (1975).<\/p>\n

c) Romanlar\u0131:<\/p>\n

1. K\u00fc\u00e7\u00fck D\u00fcnya (1966).<\/p>\n

2. Azap Topraklar\u0131 (1969).<\/p>\n

3. Ak Topraklar (1971).<\/p>\n

4. Tutsak (1975).<\/p>\n

5. Sanc\u0131 (1975).<\/p>\n

6. \u00c7i\u00e7ekler B\u00fcy\u00fcr (1979).<\/p>\n

7. Canbaz (1982).<\/p>\n","protected":false},"excerpt":{"rendered":"

Millet i\u00e7in sanat \u00e7ilesine talip olan romanc\u0131 bir elin parmaklar\u0131 say\u0131s\u0131n\u0131 ge\u00e7meyecek kadard\u0131r. \u0130\u015fte bunlardan birisi de Emine I\u015f\u0131nsu.<\/p>\n","protected":false},"author":171,"featured_media":13114,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[62],"tags":[1796,1807,1805,1801,1806,1794],"yoast_head":"\nEmine I\u015f\u0131nsu'nun biyografisi - M\u0130SAK- Mill\u00ee Strateji Ara\u015ft\u0131rma Kurulu<\/title>\n<meta name=\"description\" content=\"17 May\u0131s 1938'de Kars'ta do\u011fan Emine I\u015f\u0131nsu, sanat\u00e7\u0131 bir aileden geliyor. 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