{"id":1792,"date":"2018-04-11T19:30:16","date_gmt":"2018-04-11T16:30:16","guid":{"rendered":"http:\/\/misak.millidusunce.com\/?p=1792"},"modified":"2018-04-11T19:49:17","modified_gmt":"2018-04-11T16:49:17","slug":"atsiz-turkculugun-mistik-onderi","status":"publish","type":"post","link":"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/","title":{"rendered":"Ats\u0131z- T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn mistik \u00f6nderi"},"content":{"rendered":"

<\/h1>\n
\"\"

Ats\u0131z- T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Mistik \u00d6nderi kapa\u011f\u0131<\/p><\/div>\n

Selim Pusat, G\u00fcnt\u00fcl\u00fc ve Ats\u0131z<\/h1>\n

Ahmet Bican Ercilasun, \u00a0Ats\u0131z \u2013 T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn Mistik \u00d6nderi<\/em> kitab\u0131nda
\nRuh Adam roman\u0131n\u0131 ba\u015fkas\u0131n\u0131n ula\u015famayaca\u011f\u0131 bir a\u00e7\u0131dan sunuyor.<\/p>\n

Kitab\u0131n Ruh Adam b\u00f6l\u00fcm\u00fcnden bir par\u00e7ay\u0131 a\u015fa\u011f\u0131ya al\u0131yoruz.
\nDipnotlar verilmi\u015ftir.
\nAncak referanslar i\u00e7in kitaba bakman\u0131z gerekiyor.<\/p>\n

Zaman\u0131n Birli\u011fi \u00a0<\/strong><\/h2>\n

Ats\u0131z tarihin i\u00e7inde gezinen bir adamd\u0131r. Ruh Adam<\/em> tarih\u00ee bir roman olmasa da tarihten kopamazd\u0131. G\u00fcn\u00fcm\u00fczde ya\u015fayan Selim Pusat, iki bin y\u0131l \u00f6ncesinin Burkay\u2019\u0131d\u0131r. Uygur masal\u0131ndaki Burkay gibi, o da evli oldu\u011fu h\u00e2lde bir k\u0131z\u0131 severek g\u00fcnah i\u015flemi\u015ftir. Tarih tekerr\u00fcr etmi\u015ftir. Asl\u0131nda zaman nedir ki? Ats\u0131z\u2019a g\u00f6re d\u00fcn, bug\u00fcn ve yar\u0131n, hepsi birdir. \u201cBu timsal alt\u0131nda toplananlar \u2018zaman\u2019\u0131 yapan \u2018\u00fc\u00e7 an\u2019\u0131n bir oldu\u011funa inanm\u0131\u015flard\u0131r. Gelecek olan g\u00fcnler bug\u00fcn\u00fcn g\u00fcn\u00fcne kar\u0131\u015ft\u0131k\u00e7a vard\u0131r. \u2018Bug\u00fcn\u2019 dedi\u011fimiz her g\u00fcn ise esasen \u2018d\u00fcn\u2019d\u00fcr. Bir ip yuma\u011f\u0131 gibi d\u00f6nen zaman\u0131n ucu ge\u00e7mi\u015fte, bu ge\u00e7mi\u015f de Turfan\u2019da, Ho\u00e7u\u2019da, Orhun\u2019dad\u0131r.\u201d Bu sat\u0131rlar\u0131 Ats\u0131z, 1933 Ekimi\u2019nde \u00e7\u0131kard\u0131\u011f\u0131 Orhun dergisinin ilk say\u0131s\u0131nda yazmaktad\u0131r. D\u00fcn, bug\u00fcn, yar\u0131n\u2026 Bu \u00fc\u00e7 an da birdir, birbirine kar\u0131\u015fm\u0131\u015ft\u0131r. Ruh Adam<\/em> da \u00f6yle. K\u00e2h ge\u00e7mi\u015fte k\u00e2h gelecekte ya\u015famaktad\u0131r.<\/p>\n

41 y\u0131l \u00f6nce Ats\u0131z Arma\u011fan\u0131\u2019<\/em>nda \u015f\u00f6yle yazm\u0131\u015f\u0131m:<\/p>\n

\u00a0\u201c\u015eu g\u00f6rd\u00fc\u011f\u00fcn ne varsa birer k\u00fc\u00e7\u00fck damlad\u0131r,
\nBir denize ak\u0131yor hepsi yerli yerince,
\nBiti\u015f g\u00f6rd\u00fc\u011f\u00fcn ba\u015ft\u0131r, mezar be\u015fi\u011fe a\u015ft\u0131r,
\n\u00d6l\u00fc diriye e\u015ftir, d\u00fc\u015f\u00fcn biraz derince.\u201d<\/em><\/p>\n

\u201cAts\u0131z\u2019da zaman bir b\u00fct\u00fcnd\u00fcr. Ge\u00e7mi\u015f, hal, gelecek diye par\u00e7alanamaz. O, \u015fiirlerinde oldu\u011fu gibi romanlar\u0131nda da yaln\u0131z bug\u00fcn de\u011fil, m\u00e2zide ve istikbalde de ya\u015far. Ruh Adam roman\u0131ndaki Uygur hik\u00e2yesi Hun h\u00fck\u00fcmdar\u0131 Mete zaman\u0131nda ya\u015fam\u0131\u015f bir y\u00fczba\u015f\u0131y\u0131, 10. as\u0131rda Uygurlar aras\u0131nda ya\u015fatt\u0131\u011f\u0131 gibi, Ats\u0131z\u2019\u0131n roman\u0131 da ayn\u0131 y\u00fczba\u015f\u0131y\u0131 Selim Pusat (yazar\u0131n kendisi) olarak ya\u015fatmaya devam ediyor. Ats\u0131z\u2019\u0131n hayat m\u00e2ceras\u0131na \u00e7ok benzeyen ve b\u00fct\u00fcn roman\u0131n \u2018m\u00fctek\u00e2sif ve sembolik bir h\u00fcl\u00e2sas\u0131\u2019 diyebilece\u011fimiz Uygur hik\u00e2yesindeki \u015fu sat\u0131rlar ebediyeti ifade ediyor: \u2018Burkay! \u0130yili\u011fe kemlik ettin. Tanr\u0131 seni bedbaht etsin. K\u0131yamete kadar d\u00fcnyaya her geli\u015finde ruhun \u0131zd\u0131rap i\u00e7inde \u00e7alkans\u0131n\u2026\u2019\u2026 Hik\u00e2yeyi yorumlayan kad\u0131n hik\u00e2yeyi bug\u00fcnk\u00fc dile nakleden roman\u0131n esas kahraman\u0131na[1]<\/a> \u2018sen Mete ordusunun hi\u00e7 ihtiyarlamadan bug\u00fcne eri\u015fmi\u015f bir subay\u0131s\u0131n\u2019 der. Hakikaten Y\u00fczba\u015f\u0131 Selim Pusat \u00c7aml\u0131 Koru\u2019daki \u00e7am a\u011fac\u0131n\u0131n yan\u0131nda dola\u015fmaya devam edecektir. Roman\u0131n sonundaki sahnede, K\u0131z Lisesinin bah\u00e7esindeki \u00fc\u00e7 gen\u00e7 k\u0131z\u0131n konu\u015fmas\u0131 ile hik\u00e2yenin bitmedi\u011fini, Mete ordusundaki y\u00fczba\u015f\u0131n\u0131n ya\u015famaya devam edece\u011fini anl\u0131yoruz. Ats\u0131z i\u00e7in m\u00e2ziyi istikb\u00e2le ba\u011flayan \u00e2deta m\u00fccessem ba\u011flar vard\u0131r. \u0130nsanlar birbirlerine tutunmu\u015f, m\u00e2ziden istikb\u00e2le ko\u015fuyor gibidirler. \u2018Bozkurtlar\u0131n \u00d6l\u00fcm\u00fc\u2019ndeki \u2018Roman\u0131n Hik\u00e2yesi\u2019 adl\u0131 giri\u015fte yazar, roman\u0131n\u0131 anlat\u0131rken \u015fu c\u00fcmleleri kullan\u0131r: \u2018Bir roman ki, size 1300 y\u0131l \u00f6ncesini ya\u015fatacak ve birbiri ard\u0131nca sahneye \u00e7\u0131kan kahramanlar g\u00fcn\u00fcm\u00fcze kadar gelecek.\u2019 Romanda K\u0131ra\u00e7 Ata\u2019n\u0131n Y\u00fczba\u015f\u0131 B\u00f6g\u00fc Alp\u2019a s\u00f6yledi\u011fi \u015fu s\u00f6zler de bu devaml\u0131l\u0131\u011f\u0131 ifade eder: \u2018Ad\u0131n\u0131z unutulmayacak\u2026 Bin \u00fc\u00e7 y\u00fcz y\u0131ll\u0131k \u00f6l\u00fcmden sonra dirileceksiniz\u2026 Acunun bat\u0131m\u0131na dek ad\u0131n\u0131z g\u00f6n\u00fcllerde kalacak.\u2019 Ve roman\u0131n sonunda B\u00f6g\u00fc Alp \u00f6l\u00fcrken \u2018bin \u00fc\u00e7 y\u00fcz y\u0131l sonra\u2026\u2019 diye m\u0131r\u0131ldan\u0131r.\u201d (Ercilasun 1976: CXXXIV-CXXXVI).<\/p>\n

Konunun \u00fczerinde bu kadar durmam\u0131n sebebi, \u201czaman\u0131n birli\u011fi kavram\u0131\u201d ile \u201ctarih\u201din, Ats\u0131z\u2019\u0131n b\u00fct\u00fcn eserlerinde ve yaz\u0131lar\u0131nda ne kadar \u00f6nemli yer tuttu\u011funu anlatabilmektir. Ruh Adam<\/em> gibi, esasen g\u00fcn\u00fcm\u00fczde ge\u00e7en bir romanda dahi Ats\u0131z\u2019\u0131n kahraman\u0131, tarihin derinliklerinden gelmekte ve bug\u00fcnde ya\u015famaktad\u0131r. Ve bu kahraman Ats\u0131z\u2019\u0131n kendisidir. Elbette \u00e2\u015f\u0131k oldu\u011fu gen\u00e7 k\u0131z da tarihin ve hatta efsanenin derinliklerinden gelmekte ve o da g\u00fcn\u00fcm\u00fczde ya\u015famaktad\u0131r. G\u00fcnt\u00fcl\u00fc, Uygur masal\u0131ndaki A\u00e7\u0131\u011fma-K\u00fcn\u2019\u00fcn ta kendisidir. A\u00e7\u0131\u011fma k\u00fcn, \u201ca\u00e7an g\u00fcne\u015f\u201d demektir ve bu anlam da neredeyse G\u00fcnt\u00fcl\u00fc\u2019n\u00fcn anlam\u0131yla \u00f6rt\u00fc\u015fmektedir; iki kelimede de \u201cg\u00fcne\u015f\u201d vard\u0131r ve romanda Ay\u015fe Pusat\u2019\u0131n s\u00f6yledi\u011fi gibi Selim\u2019i g\u00fcn \u00e7arpm\u0131\u015ft\u0131r. Veya Yek\u2019in s\u00f6yledi\u011fi gibi G\u00fcnt\u00fcl\u00fc \u00e7arpm\u0131\u015ft\u0131r. \u00dcstelik Ats\u0131z\u2019\u0131n bir mektubunda belirtti\u011fi gibi \u201cG\u00fcnt\u00fcl\u00fc ve Aydolu birer ger\u00e7ektir ve ger\u00e7ek isimleri de romandaki isimlerine yak\u0131nd\u0131r.\u201d (Hacalo\u011flu 2013: 260). Aydolu, Ya\u011fmur Ats\u0131z\u2019\u0131n kitab\u0131n\u0131n 176. sayfas\u0131ndan sonraki resimlerde g\u00f6r\u00fcnen \u201cD\u00fcny\u00e2 G\u00fczeli Aysen Abla\u201d olmal\u0131d\u0131r. Romandaki I\u015f\u0131k K\u0131zlar, Erenk\u00f6y K\u0131z Lisesi\u2019nin \u00f6\u011frencileridir. \u201c1940 sonlar\u0131 ve 50\u2019lerde bilhassa yaz aylar\u0131 ve ekseriyetle o efs\u00e2nev\u00ee \u2018Erenk\u00f6y K\u0131z Lisesi\u2019 eski mezunlar\u0131ndan kalabal\u0131k bir grup, b\u00e2zen yirmiyi a\u015fk\u0131n gen\u00e7, al\u0131ml\u0131, zek\u00ee, zarif ve \u015f\u0131k gen\u00e7 k\u0131z evimizi doldururdu.\u201d (Ya\u011fmur Ats\u0131z 2005: 177-178).<\/p>\n

Buhranl\u0131 Y\u0131llar<\/h2>\n

Erenk\u00f6y K\u0131z Lisesi Tarih \u00d6\u011fretmeni Bedriye Ats\u0131z 13 May\u0131s 1944\u2019te bakanl\u0131k emrine al\u0131nm\u0131\u015ft\u0131r. Roman kahraman\u0131 Ay\u015fe Pusat, g\u00f6revden al\u0131nd\u0131ktan \u00fc\u00e7 y\u0131l sonra, bir Sonbahar\u2019da okuluna d\u00f6nm\u00fc\u015ft\u00fcr. Bunu 1947 Sonbahar\u0131 olarak d\u00fc\u015f\u00fcnebiliriz.<\/p>\n

Irk\u00e7\u0131l\u0131k \u2013 Turanc\u0131l\u0131k Davas\u0131\u2019ndan 1,5 y\u0131l hapis yatan Ats\u0131z, 25 Ekim 1945\u2019te tahliye olunmu\u015ftur. 1945-46 K\u0131\u015f\u0131\u2019n\u0131 yo\u011fun bir \u015fekilde Bozkurtlar\u0131n \u00d6l\u00fcm\u00fc\u2019<\/em>n\u00fc yazmakla ge\u00e7irmi\u015ftir. Kitap 13 Nisan 1946\u2019da bitmi\u015ftir. 1946 y\u0131l\u0131nda Ats\u0131z\u2019\u0131n iki kitab\u0131 daha bas\u0131lm\u0131\u015ft\u0131r. Yollar\u0131n Sonu<\/em> ve S\u00fcruri Ermete ad\u0131yla T\u00fcrkiye Asla Boyun Eymiyecektir.<\/em> 14 Temmuz 1946\u2019da ikinci o\u011flu Bu\u011fra do\u011fmu\u015ftur. 1947-1949 y\u0131llar\u0131nda Ats\u0131z, T\u00fcrkiye Yay\u0131nevi\u2019nde \u00e7al\u0131\u015fm\u0131\u015f ve bu y\u0131llarda Osmanl\u0131 Tarihleri I<\/em> kitab\u0131yla me\u015fgul olmu\u015ftur. Kitap 1949\u2019da yay\u0131mlanm\u0131\u015ft\u0131r. Ayn\u0131 y\u0131llarda Bozkurtlar Diriliyor<\/em> roman\u0131n\u0131 da yazm\u0131\u015ft\u0131r. Bu roman\u0131n biti\u015f tarihi 15 Nisan 1949\u2019dur. 25 Temmuz 1949\u2019da Ats\u0131z Davutpa\u015fa Ordaokuluna T\u00fcrk\u00e7e \u00f6\u011fretmeni olarak atan\u0131r; fakat fiil\u00ee g\u00f6revi S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019nde tasnif memurlu\u011fudur. 21 Eyl\u00fcl 1950\u2019de Haydarpa\u015fa Lisesi\u2019ne edebiyat \u00f6\u011fretmeni olarak tayin edilir. 06 Ekim 1950\u2019de Orkun dergisinin ilk say\u0131s\u0131 \u00e7\u0131kar. Selim Pusat imzas\u0131 ilk defa Orkun\u2019un 08 Haziran 1951 tarihli say\u0131s\u0131nda g\u00f6r\u00fcl\u00fcr. \u201cGeri Gelen Mektup\u201d \u015fiiri ise Orkun\u2019un 44. say\u0131s\u0131nda, 03 A\u011fustos 1951\u2019de yay\u0131mlan\u0131r. \u201cBu \u015fiir, Ats\u0131z\u2019\u0131n inti\u015far etmemi\u015f bir roman\u0131ndan al\u0131nm\u0131\u015ft\u0131r.\u201d notuyla.<\/p>\n

Bu kronolojiyi vermemin sebebi, Ats\u0131z\u2019\u0131n buhranl\u0131 y\u0131llar\u0131n\u0131 bulmaya \u00e7al\u0131\u015fmakt\u0131r. Romandaki \u015fiirin alt\u0131nda bulunan not, Ruh Adam<\/em> son \u015feklini almam\u0131\u015f olsa bile -ki bu muhakkakt\u0131r[2]<\/a>– A\u011fustos 1951\u2019de roman\u0131n bitmi\u015f oldu\u011funu g\u00f6steriyor. Roman kahraman\u0131 Selim Pusat\u2019\u0131n \u00e7al\u0131\u015ft\u0131\u011f\u0131 yerin tasviri, S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019ndeki \u00e7al\u0131\u015fma mahalline t\u0131pat\u0131p uymaktad\u0131r. G\u00f6rev de ayn\u0131 \u015fekilde tasnif memurlu\u011fudur. Ats\u0131z\u2019\u0131n S\u00fcleymaniye\u2019de g\u00f6reve ba\u015flamas\u0131 ise 1949 y\u0131l\u0131n\u0131n Temmuz sonudur. O h\u00e2lde 1949-1950 y\u0131llar\u0131n\u0131 Ats\u0131z\u2019\u0131n buhranl\u0131 y\u0131llar\u0131 olarak tespit edebiliriz. Ya\u011fmur Ats\u0131z\u2019\u0131n bahsetti\u011fi Erenk\u00f6y K\u0131z Lisesi\u2019nin g\u00fczel k\u0131zlar\u0131 da bu y\u0131llarda evlerine gelmektedir. Ve bunlar Bedriye Ats\u0131z\u2019\u0131n \u00f6\u011frencileridir. Ats\u0131z\u2019\u0131n 14 Temmuz 1946\u2019da do\u011fan ikinci o\u011flu Bu\u011fra da 1949 ortalar\u0131nda \u00fc\u00e7 ya\u015f\u0131n\u0131 doldurmu\u015ftur. Selim Pusat\u2019\u0131n o\u011flu Tosun da o ya\u015flardad\u0131r. Bu\u011fra ile Tosun aras\u0131ndaki anlam benzerli\u011fi a\u00e7\u0131kt\u0131r. Elbette Tosun, Ats\u0131z\u2019\u0131n iki o\u011flunu da da temsil etmektedir[3]<\/a>. Selim Pusat\u2019\u0131n hapishane y\u0131llar\u0131ndaki o\u011ful \u015f\u00fcphesiz Ya\u011fmur\u2019dur. Fakat 1949 y\u0131l\u0131nda art\u0131k o 10 ya\u015f\u0131nda bir \u00e7ocuktur. 1949 ortalar\u0131nda Ats\u0131z\u2019\u0131n yo\u011fun kitap yazma \u00e7al\u0131\u015fmalar\u0131 da bitmi\u015ftir. Ve i\u015fte o s\u0131ralarda evlerine gelen Bedriye Han\u0131m\u0131n \u00f6\u011frecilerinden gen\u00e7 bir k\u0131za \u00e2\u015f\u0131k olmu\u015ftur. Hacalo\u011flu\u2019na yazd\u0131\u011f\u0131 mektupta \u201cRomandaki \u015fah\u0131slar\u0131n hi\u00e7biri muhayyel de\u011fil.\u201d diyor (2013: 228). 09 Mart 1973\u2019te \u0130smail Hakk\u0131 G\u00f6khun\u2019a yazd\u0131\u011f\u0131 mektupta da \u201cBu roman, ya\u015fanm\u0131\u015f bir romand\u0131r. Hemen hemen b\u00fct\u00fcn \u015fah\u0131slar ger\u00e7ektir.\u201d demektedir (2013: 236). 08 Haziran 1973\u2019te Turan Kekevi\u2019ye yazd\u0131\u011f\u0131 mektupta da \u201cG\u00fcnt\u00fcl\u00fc ve Aydolu birer ger\u00e7ektir ve ger\u00e7ek isimleri de romandaki isimlerine yak\u0131nd\u0131r. O romanda, hayal olan pek az \u015fey var. Hakikatler biraz sembolik bir \u015fekilde yaz\u0131lm\u0131\u015ft\u0131r.\u201d\u00a0 diyor (2013: 260). Bu ifadelere dayanarak Ats\u0131z\u2019\u0131n 1949-1950 y\u0131llar\u0131nda, romanda ad\u0131 G\u00fcnt\u00fcl\u00fc olarak ge\u00e7en k\u0131za \u00e2\u015f\u0131k oldu\u011funu ve bu y\u00fczden buhranlar ge\u00e7irdi\u011fini kesinlikle s\u00f6yleyebiliriz. Esasen roman\u0131n b\u00fct\u00fcn kurgusu bu a\u015fk \u00fczerinedir ve hi\u00e7bir cins\u00ee temas\u0131n olmad\u0131\u011f\u0131 bu a\u015fk y\u00fcz\u00fcnden Ats\u0131z kendisini a\u011f\u0131r bir su\u00e7lu, b\u00fcy\u00fck bir g\u00fcnahk\u00e2r kabul etmektedir. Bu roman\u0131 yazarak da kendisini cezaland\u0131rm\u0131\u015f, ebediyen azap \u00e7ekmeye mahk\u00fbm etmi\u015ftir. 1950 sonlar\u0131nda Ats\u0131z\u2019\u0131n dizanteriye yakaland\u0131\u011f\u0131n\u0131 da biliyoruz. 11 Ocak 1951\u2019de \u0130smail Hakk\u0131 Y\u0131lanl\u0131o\u011flu\u2019na yazd\u0131\u011f\u0131 mektupta \u201cB\u00fct\u00fcn kuvvetimi, enerjimi alan m\u00fczmin bir dizanteri ge\u00e7irdim. Te\u015fhis olunamad\u0131\u011f\u0131 i\u00e7in de bir hayli sars\u0131ld\u0131m.\u201d diyor (Hacalo\u011flu 2013: 45). Roman kahraman\u0131 Selim Pusat da birka\u00e7 defa hastalan\u0131r ve hastahaneye yatar. Dizanterinin belirtileri aras\u0131nda \u015fiddetli ate\u015f ve h\u00e2lsizlik de vard\u0131r. Selim Pusat\u2019ta oldu\u011fu gibi.<\/p>\n

09 Mart 1973\u2019te \u0130smail Hakk\u0131 G\u00f6khun\u2019a yazd\u0131\u011f\u0131 mektupta Ats\u0131z, b\u00fct\u00fcn \u015fah\u0131slar\u0131n ger\u00e7ek oldu\u011funu belirttikten sonra \u015f\u00f6yle diyor: \u201cYaln\u0131z \u015eeref, \u015ferefi; Kubudak ihtiras\u0131 temsil ediyor. Kubudak, Mo\u011folca ihtiras demektir. T\u00fcrk\u00e7eye de ge\u00e7mi\u015ftir.\u201d (Hacalo\u011flu 2013: 236).<\/p>\n

Kendisine yap\u0131lan su\u00e7lama, apoletlerinin s\u00f6k\u00fclmesi ve ordudan at\u0131lmas\u0131 sebebiyle, \u201cTiyatro bitti. Beklemeye l\u00fczum g\u00f6rm\u00fcyorum.\u201d notunu Selim Pusat\u2019a b\u0131rakarak intihar eden \u015eeref, mektupta belirtildi\u011fi gibi \u015feref kavram\u0131n\u0131 temsil eden hayali bir \u015fahsiyettir. S\u0131k s\u0131k bir hayal olarak belirir ve Selim\u2019in yanl\u0131\u015f i\u015fler yapmas\u0131n\u0131 engellemeye \u00e7al\u0131\u015f\u0131r.<\/p>\n

Ya Ger\u00e7ek Kahramanlar<\/h2>\n

Roman\u0131n ger\u00e7ek olan kahramanlar\u0131n\u0131 Altan Deliorman g\u00f6stermi\u015f ve uzun uzun tan\u0131tm\u0131\u015ft\u0131r (2013: 209-237). Selim Pusat, Ats\u0131z\u2019\u0131n kendisi, Ay\u015fe Pusat da Ats\u0131z\u2019\u0131n e\u015fi Bedriye Ats\u0131z\u2019d\u0131r. Yaln\u0131z Ay\u015fe Pusat edebiyat \u00f6\u011fretmeni, Bedriye Ats\u0131z ise tarih \u00f6\u011fretmenidir. Nitekim Ats\u0131z\u2019\u0131n edebiyat \u00f6\u011fretmeni olmas\u0131na kar\u015f\u0131l\u0131k Selim Pusat subayd\u0131r. Ancak Ats\u0131z da Selim Pusat da tarih\u00e7i ve \u015fairdir. Bedriye Ats\u0131z\u2019\u0131n Erenk\u00f6y K\u0131z Lisesi\u2019ndeki okul arkada\u015flar\u0131 ve \u00f6\u011frencileri de Ay\u015fe Pusat\u2019\u0131n arkada\u015flar\u0131 ve \u00f6\u011frencileri olarak romana girmi\u015flerdir.<\/p>\n

\u015eeytan\u0131 temsil eden, hatta do\u011frudan do\u011fruya \u015feytan\u0131n kendisi olan Yek, Deliorman\u2019\u0131n yazd\u0131\u011f\u0131 gibi Osman Re\u015fer\u2019dir. As\u0131l ad\u0131 Oskar Rescher olan Osman Re\u015fer bir Alman Yahudisidir ve oryantalisttir. Hitler\u2019in bask\u0131s\u0131ndan ka\u00e7m\u0131\u015f, T\u00fcrkiye\u2019ye gelmi\u015f ve M\u00fcsl\u00fcman olarak Osman Re\u015fer ad\u0131n\u0131 alm\u0131\u015ft\u0131r. Dar\u00fclf\u00fcn\u00fcn\u2019da Arap edebiyat\u0131 m\u00fcderrisli\u011fi yaparken Ats\u0131z\u2019\u0131n da hocas\u0131 olmu\u015ftur.<\/p>\n

Osman Re\u015fer romanda \u00fc\u00e7 ayr\u0131 ki\u015fi olarak g\u00f6r\u00fcn\u00fcr: Yek, Osman Fi\u015fer ve Doktor Selim Key.<\/p>\n

Yek, Eski Uygur T\u00fcrk\u00e7esi metinlerinde \u201c\u015feytan\u201d anlam\u0131nda ge\u00e7er. Bir hayal olarak Selim\u2019in kar\u015f\u0131s\u0131na s\u0131k s\u0131k s\u0131k \u00e7\u0131kan Yek, \u00e7irkin, aksak ve kamburumsu bir tip olarak tasvir edilir.<\/p>\n

Tarih\u00ee Evrak Komisyonu\u2019nda i\u015fe ba\u015flayan Selim Pusat\u2019\u0131n i\u015f yerinde \u00e7al\u0131\u015fanlardan biri de Osman Fi\u015fer\u2019dir. Ats\u0131z, \u201cas\u0131l ad\u0131 Oskar iken M\u00fcsl\u00fcman olunca\u201d ad\u0131n\u0131 Osman\u2019a \u00e7eviren bir Alman Yahudisi oldu\u011funu romanda da belirtmi\u015ftir (s. 128). Osman Fi\u015fer, ikiz karde\u015fi olacak kadar Yek\u2019e benzemektedir. Osman Re\u015fer de ger\u00e7ekten Ats\u0131z\u2019\u0131n \u00e7al\u0131\u015ft\u0131\u011f\u0131 S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019nde s\u0131k s\u0131k \u00e7al\u0131\u015fmaktad\u0131r. K\u00fct\u00fcphanede kendisini g\u00f6ren Deliorman onu \u015f\u00f6yle tasvir etmektedir: \u201cOsman Re\u015fer ger\u00e7ekten \u2018Yek\u2019 tipinde tasvir edilen gibiydi. \u00c7irkin ve zay\u0131ft\u0131. Kamburumsuydu. K\u0131l\u0131k k\u0131yafetine \u00f6zen g\u00f6stermezdi.\u201d (Deliorman 2013: 218).<\/p>\n

Doktor Selim Key de t\u0131pk\u0131 Yek\u2019e benzemektedir. Selim hastaland\u0131\u011f\u0131 zaman doktor k\u0131l\u0131\u011f\u0131nda gelmi\u015f ve hastal\u0131\u011fa a\u015fk te\u015fhisini koymu\u015ftur (s. 172-178). Key, Yek s\u00f6z\u00fcn\u00fcn tersidir ve onun da Eski Uygur T\u00fcrk\u00e7esinde bir anlam\u0131 vard\u0131r: \u201c\u0130yi\u201d.<\/p>\n

Prenses Leyl\u00e2 Mutlak, Vahideddin\u2019in torunu olan Prenses Hanzade\u2019dir. Esasen romanda da Leyl\u00e2 Mutlak\u2019\u0131n as\u0131l ad\u0131n\u0131n Leyl\u00e2 Hanzade oldu\u011fu belirtilmi\u015ftir (s. 147). Ancak roman kahraman\u0131 Hanzade, Vahideddin\u2019in torunu olarak de\u011fil, Kanuni taraf\u0131ndan bo\u011fdurulan \u015eehzade Mustafa\u2019n\u0131n on birinci ku\u015faktan torunu olarak g\u00f6sterilmi\u015ftir (s. 149).<\/p>\n

Ats\u0131z\u2019\u0131n Osmanl\u0131 hanedan\u0131na \u00f6zel bir ilgisi vard\u0131. Hatta bu konuda bir de kitap yazm\u0131\u015ft\u0131:<\/p>\n

\u201cAts\u0131z\u2019\u0131n t\u00e2 1952\u2019den \u00eetib\u00e2ren en az \u00f6b\u00fcr\u00fc kadar (kay\u0131p T\u00fcrk Tarihi \u2013 ABE) \u00f6nem verdi\u011fi, bu u\u011furda d\u00fczinelerce H\u00e2ned\u00e2n mens\u00fbbu ile kim bilir ka\u00e7 y\u00fcz kere m\u00fcl\u00e2katlar yap\u0131p notlar ald\u0131\u011f\u0131 bir ba\u015fka eser haz\u0131rl\u0131\u011f\u0131 vard\u0131r ki buna d\u00e2ir notlar da \u00f6l\u00fcm\u00fcyle ber\u00e2ber s\u0131rra kadem basm\u0131\u015fd\u0131r: \u2018Osmanl\u0131o\u011fullar\u0131\u2019n\u0131n Saray Hay\u00e2t\u0131\u2019<\/em> y\u00e2hut ba\u015fka bir serlevhayla \u2018Osmano\u011fullar\u0131\u2019n\u0131n Mahrem Hay\u00e2t\u0131\u2019<\/em>\u201d (Ya\u011fmur Ats\u0131z 2005: 214).<\/p>\n

\u0130kinci Abd\u00fclhamid\u2019in e\u015fi M\u00fc\u015ffika Kad\u0131nefendi ve k\u0131z\u0131 Ay\u015fe Sultan ile Ats\u0131z\u2019\u0131n \u00e7ok yak\u0131n g\u00f6r\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc yine Ya\u011fmur Ats\u0131z\u2019\u0131n kitab\u0131ndan \u00f6\u011freniyoruz:<\/p>\n

\u201cOnlar bizim Maltepe\u2019deki harabh\u00e2neye gelirdi biz de onlar\u0131n Y\u0131ld\u0131z \/ Be\u015fikta\u015f Serencebey Yoku\u015fu 55 numaradaki kona\u011f\u0131na giderdik.\u201d (2005: 212). Hatta ikisinin Ats\u0131z ailesine imzalad\u0131klar\u0131 bir resimleri de Ya\u011fmur Ats\u0131z\u2019\u0131n kitab\u0131nda yer almaktad\u0131r.<\/p>\n

Bu bilgilere g\u00f6re Ats\u0131z\u2019\u0131n, Vahideddin\u2019in k\u0131z\u0131n\u0131n k\u0131z\u0131 olan ve g\u00fczelli\u011fiyle \u015f\u00f6hret bulan Hanzade Sultan\u2019\u0131 da tan\u0131d\u0131\u011f\u0131n\u0131 kesin olarak s\u00f6yleyebilir, onunla m\u00fclakat yapt\u0131\u011f\u0131n\u0131 da d\u00fc\u015f\u00fcnebiliriz.<\/p>\n

Romanda ikinci doktor olarak g\u00f6r\u00fcnen Cezmi O\u011fuz, Ats\u0131z\u2019\u0131n Asker\u00ee T\u0131bbiye\u2019den beri arkada\u015f\u0131 olan Doktor Cezmi T\u00fcrk\u2019t\u00fcr. 1950\u2019de Demokrat Parti milletvekili olan, 1952\u2019de Remzi O\u011fuz Ar\u0131k\u2019la birlikte bu partiden ayr\u0131larak T\u00fcrkiye K\u00f6yl\u00fc Partisi\u2019ni kuran Cezmi T\u00fcrk\u2019\u00fc 1950\u2019lerin ikinci yar\u0131s\u0131nda ben de bir iki defa g\u00f6rm\u00fc\u015ft\u00fcm. O tarihlerde Cezmi T\u00fcrk partinin genel sekreteriydi ve Genel Ba\u015fkan Tahsin Demiray\u2019la birlikte partinin \u0130zmir kongresi i\u00e7in gelirlerdi. Kongreye gidip ikisini de dinledi\u011fimi \u00e7ok iyi hat\u0131rl\u0131yorum. 1963\u2019te Edebiyat Fak\u00fcltesi T\u00fcrk Dili ve Edebiyat\u0131 B\u00f6l\u00fcm\u00fcne \u00f6\u011frenci olarak kaydolup S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019nde Ats\u0131z\u2019\u0131 ziyaret etti\u011fim zaman birka\u00e7 defa onun \u201cCezmi\u2019nin k\u0131z\u0131 Emek, \u0130zzet\u2019in k\u0131z\u0131 Bilge de sizin s\u0131n\u0131fta\u201d dedi\u011fi de hat\u0131r\u0131mdad\u0131r. Bunu, Ats\u0131z ile Cezmi T\u00fcrk aras\u0131ndaki samimiyeti anlatmak i\u00e7in kaydediyorum. Romanda da Cezmi O\u011fuz asker\u00ee doktordur ve Selim Pusat\u2019la \u201cayn\u0131 birlikte bulunup arkada\u015f olmu\u015flard\u0131r.\u201d (s. 181).<\/p>\n

Altan Deliorman\u2019\u0131n bahsetmedi\u011fi Kurmay Yarbay Tahsin de elbette ger\u00e7ektir ve Ats\u0131z\u2019\u0131n yak\u0131n arkada\u015f\u0131 Tahsin Demiray\u2019d\u0131r. Selim\u2019in eski arkada\u015flar\u0131ndan Kurmay Yarbay Tahsin, Ne\u015friyat \u015eubesi\u2019ndedir ve Selim\u2019i Tarih\u00ee Evrak Komisyonu\u2019na memur olarak o alm\u0131\u015ft\u0131r (s. 125-126). 1944 hadiselerinden sonra i\u015fsiz kalan Ats\u0131z da 1947-1949 y\u0131llar\u0131nda eski arkada\u015f\u0131 Tahsin Demiray\u2019\u0131n T\u00fcrkiye Yay\u0131nevi\u2019nde \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Maamafih, Kurmay Yarbay Tahsin\u2019in, Tahsin Banguo\u011flu oldu\u011fu da akla gelebilir. Ats\u0131z\u2019\u0131n \u00fcniversiteden s\u0131n\u0131f arkada\u015f\u0131 olan Banguo\u011flu 1940\u2019lar\u0131n sonunda Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131 yapm\u0131\u015f ve Ats\u0131z, onun taraf\u0131ndan tekrar \u00f6\u011fretmenli\u011fe, fiilen S\u00fclaymaniye K\u00fct\u00fcphanesi\u2019ne tayin edilmi\u015ftir.<\/p>\n

Doktor Cezmi O\u011fuz\u2019la Selim Pusat konu\u015fmaktad\u0131rlar. S\u00f6z a\u015fk\u0131n felsefesine, a\u015fk\u0131n tarifine gelmi\u015ftir. Cezmi O\u011fuz \u015f\u00f6yle der:<\/p>\n

\u201cKesilmi\u015f bir koyunun kasap d\u00fckk\u00e2n\u0131ndaki manzaras\u0131 ho\u015fa gitmez, hatta baz\u0131lar\u0131na i\u011fren\u00e7 g\u00f6r\u00fcn\u00fcr. Fakat usta bir a\u015f\u00e7\u0131n\u0131n elinde nefis bir et yeme\u011fi oldu\u011fu zaman, d\u00fckk\u00e2ndaki manzaras\u0131na bakamayanlar bile onu i\u015ftahla yer. A\u015fk da b\u00f6yledir\u2026\u201d (s. 183).<\/p>\n

Burada Doktor Hasan Ferit Cansever\u2019e at\u0131f yap\u0131ld\u0131\u011f\u0131 a\u00e7\u0131kt\u0131r. Vejeteryan olan Cansever\u2019in 1944 zindanlar\u0131nda arkada\u015flar\u0131n\u0131 etten vazge\u00e7irmek i\u00e7in kasaptaki manzaran\u0131n i\u011fren\u00e7li\u011finden bahsetti\u011fini 1944 T\u00fcrk\u00e7\u00fcleri s\u0131k s\u0131k anlat\u0131rlar.<\/p>\n

Olaylar\u0131n Ge\u00e7ti\u011fi Mek\u00e2n<\/h2>\n

Ba\u015ftaki Uygur masal\u0131 bir yana b\u0131rak\u0131l\u0131rsa eserin mek\u00e2n\u0131, Ats\u0131z\u2019\u0131n Maltepe Feyzullah Caddesi\u2019ndeki 9 numaral\u0131 evi, Maltepe civar\u0131, Erenk\u00f6y K\u0131z Lisesi ve S\u00fcleymaniye K\u00fct\u00fcphanesi\u2019nin bah\u00e7eye bakan caml\u0131 b\u00f6lmesidir[4]<\/a>. Fakat Ats\u0131z mek\u00e2nla ilgili ayr\u0131nt\u0131lara yer vermez. \u015eeref\u2019in resminin duvarda m\u0131, masada m\u0131 oldu\u011funu neden sonra anlar\u0131z. Selim Pusat\u2019\u0131n evinin iki katl\u0131 oldu\u011fu da Erzurum\u2019dan gelen telgraf dolay\u0131s\u0131yla anla\u015f\u0131l\u0131r. Selim \u201ca\u015fa\u011f\u0131 kata\u201d inerek kap\u0131y\u0131 a\u00e7ar (s. 124). Evin, okulun, i\u015f yerinin, \u00c7aml\u0131 Koru\u2019nun ayr\u0131nt\u0131lar\u0131 romanda yoktur. \u015eah\u0131slar\u0131n fizik\u00ee tasvirleri de son derece s\u0131n\u0131rl\u0131d\u0131r. Romanda \u00f6ne \u00e7\u0131kan, olaylar ve \u015fah\u0131slar\u0131n ruh\u00ee tasvirleridir.<\/p>\n

\u00c7aml\u0131 Koru belki de Ba\u011fdat Caddesi ile Mimar Sinan Caddesi\u2019nin kesi\u015fti\u011fi k\u00f6\u015fede bulunan Maltepe \u00c7aml\u0131k \u00c7ay Bah\u00e7esi\u2019dir. Bug\u00fcn de burada \u00e7amlar bulunmaktad\u0131r. \u015eeref\u2019in mezar\u0131n\u0131n bulundu\u011fu mezarl\u0131k, Adatepe\u2019deki mezarl\u0131k olabilir. Selim Pusat\u2019\u0131n bir defa gitti\u011fi meyhane de Ya\u011fmur Ats\u0131z\u2019\u0131n bahsetti\u011fi Eski Maltepe \u00c7ar\u015f\u0131s\u0131\u2019ndaki meyhane (2005: 204) midir acaba? Ay\u015fe Pusat ailesi ve arkada\u015flar\u0131n\u0131n bir k\u0131r gezintisi i\u00e7in gittikleri Huzur \u00c7ayhanesi\u2019nin yerini de bilmiyoruz. Romanda ayr\u0131nt\u0131l\u0131 tasvirler bulunmad\u0131\u011f\u0131 i\u00e7in bu mek\u00e2nlar hakk\u0131nda \u015fimdilik kesin \u015feyler s\u00f6yleyemiyoruz. Ancak Selim Pusat\u2019\u0131n evden \u00e7\u0131k\u0131nca dola\u015ft\u0131\u011f\u0131 yerlerin Maltepe Feyzullah Caddesi civar\u0131 oldu\u011fu kesindir. \u00a0\u00a0<\/strong><\/p>\n

Psikolojik Atmosfer<\/h2>\n

Eserin kurgusuyla paralel olarak en ba\u015far\u0131l\u0131 yanlar\u0131ndan biri psikolojik atmosferidir. Olaylar sanki somut mek\u00e2nlarda de\u011fil zihinlerde cereyan etmektedir. Ev, okul, \u00c7aml\u0131 Koru gibi somut mek\u00e2nlar sanki, zihn\u00ee maceralar\u0131 bir yere oturtmak, kahramanlar\u0131n ayaklar\u0131n\u0131 yere bast\u0131rtmak i\u00e7in kabataslak \u00e7izilmi\u015f yerlerdir. Ya\u015fanan \u015feyler zihinlerde ve ruhlardad\u0131r. Onlar i\u00e7in de yan\u0131 y\u00f6resi, kenar\u0131 k\u00f6\u015fesi belirlenmi\u015f somut mek\u00e2nlar gerekmemektedir. Kahramanlar \u00e2deta seyyal varl\u0131klard\u0131r ve bu varl\u0131klar ruhlar gibidir. Sanki romanda ruhlar\u0131n dans\u0131 vard\u0131r. \u00c7aml\u0131 Koru\u2019daki kanepede oturan Selim, bedeni g\u00f6r\u00fcnmeyen bir kad\u0131n\u0131n okudu\u011fu \u015fiiri duyar. Kanepenin di\u011fer kenar\u0131nda oturan kad\u0131n ise bir ba\u015fkas\u0131d\u0131r; Leyl\u00e2 Mutlak\u2019t\u0131r. Selim\u2019in uzun uzun sohbet etti\u011fi Leyl\u00e2 Mutlak g\u00fcn\u00fcn birinde yok oluvermi\u015ftir. Yard\u0131mc\u0131s\u0131 G\u00fclsafa Kalfa birden ya\u015flan\u0131r, sadece Safa olur. \u015eeref, resim \u00e7er\u00e7evesinden \u00e7\u0131kar, kanl\u0131 elleriyle kap\u0131 tokma\u011f\u0131na dokunur. Ay\u015fe Pusat, \u00e7er\u00e7evedeki resmin de\u011fi\u015fti\u011fini, \u015eeref\u2019in h\u00fcz\u00fcnle g\u00fcl\u00fcmsedi\u011fini ve ba\u015f\u0131n\u0131 sallad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr. Resmin alt\u0131ndaki yaz\u0131 silinir. Maltepe\u2019deki evin penceresinden g\u00f6r\u00fcnen Yek, yar\u0131m saat sonra Erzurum\u2019dan Selim\u2019e telgraf yollar. Yek\u2019in getirdi\u011fi celpname ile Selim, mah\u015ferdeki mahkemeye gider. B\u00fct\u00fcn bunlar olurken Ay\u015fe\u2019nin \u00f6\u011frencileriyle ve Selim Pusat\u2019la, Selim\u2019in de Ay\u015fe\u2019nin \u00f6\u011frencileri ve arkada\u015flar\u0131yla konu\u015fmalar\u0131, sanki ruhlar\u0131n dans\u0131na zemin haz\u0131rlamak i\u00e7indir. Ats\u0131z\u2019\u0131n ba\u015f\u0131ndan da ge\u00e7en ger\u00e7ek olaylar da ayn\u0131 \u015fekilde hayallerin oyna\u015ft\u0131\u011f\u0131 sahnede bir dekordur. Eser ba\u015ftanba\u015fa, bir zamanlar Maltepe ve civar\u0131nda ya\u015fam\u0131\u015f birka\u00e7 ruhun maceras\u0131d\u0131r. Ve bu ruhlar maceras\u0131 \u015fahane bir dille anlat\u0131lm\u0131\u015ft\u0131r. Ba\u015fka romanlar\u0131n ruhi tasvirlerinde oldu\u011fu gibi, \u00f6yle karma\u015f\u0131k ve \u00e7apra\u015f\u0131k bir dille de\u011fil, alabildi\u011fine yal\u0131n bir dille anlat\u0131lm\u0131\u015ft\u0131r. Birbirini takip eden uzun c\u00fcmlelerin yorucu anla\u015f\u0131lmazl\u0131\u011f\u0131yla de\u011fil, k\u0131sa c\u00fcmlelerin, okuyucuyu yormayan yal\u0131nl\u0131\u011f\u0131 ve durulu\u011fuyla anlat\u0131lm\u0131\u015ft\u0131r. Sadece bir \u00f6rnek:<\/p>\n

\u201cSelim, kad\u0131n g\u00fczelli\u011finden zevk al\u0131yor de\u011fil, bu g\u00fczelli\u011fe sayg\u0131 duyuyordu. Ancak onun ruhunu dolduran askerlik ba\u015fka her \u015feyi o kadar ezip k\u0131rm\u0131\u015ft\u0131 ki, kad\u0131n g\u00fczelli\u011fine kar\u015f\u0131 olan duygular\u0131 da kalbinin derinliklerine sinmi\u015f ve art\u0131k kendisi de bu hissinin varl\u0131\u011f\u0131ndan habersiz ya\u015famaya al\u0131\u015fm\u0131\u015ft\u0131.\u201d (s. 100).<\/p>\n

Dil ve \u015eiir<\/h2>\n

Ruh tahlillerinin ve bir psikolojik roman\u0131n bu kadar ak\u0131c\u0131 ve anla\u015f\u0131l\u0131r bir dille yaz\u0131lm\u0131\u015f olmas\u0131, bana \u00f6yle geliyor ki, sadece Ats\u0131z nesrinin ba\u015farabilece\u011fi bir i\u015ftir.<\/p>\n

Eserde evet, i\u015fmizaz, <\/em>\u00a0muhayyele, muhassala, istihfaf, ihf\u00e2, gar\u00e2m\u00ee, cemad, tarziye<\/em> gibi bug\u00fcn art\u0131k seyrek kullan\u0131lan, gen\u00e7ler taraf\u0131ndan pek bilinmeyen kelimeler vard\u0131r. Fakat bu gibi kelimeler \u00e7ok azd\u0131r ve sadece birer iki\u015fer defa ge\u00e7mektedir. Bunlar ve s\u0131k\u00e7a kullan\u0131lan muttarid <\/em>\u00a0kelimesi 1950\u2019lerin, 1970\u2019lerin okumu\u015flar\u0131 i\u00e7in hi\u00e7 de yabanc\u0131 de\u011fildir. Fikret\u2019in \u00fcnl\u00fc \u015fiirindeki \u201cK\u00fc\u00e7\u00fck, muttarid,<\/em> muhteriz darbeler<\/em>\u201d m\u0131sra\u0131 her ayd\u0131n\u0131n ezberindedir. Bunlara kar\u015f\u0131l\u0131k bug\u00fcn daha \u00e7ok –an \/ -en<\/em> ekiyle yap\u0131lan s\u0131fatlar yerine –\u0131c\u0131 \/ -ici<\/em> ekiyle yap\u0131lan s\u0131fatlar\u0131n (\u00fcrpertici, \u00f6rseleyici, kama\u015ft\u0131r\u0131c\u0131<\/em>\u2026); bug\u00fcn daha \u00e7ok –ma \/ -me<\/em> ekiyle yap\u0131lan isimler yerine –\u0131\u015f \/ -i\u015f<\/em> ekiyle yap\u0131lan isimlerin (sezi\u015f, \u00f6zleyi\u015f, g\u00fcl\u00fcmseyi\u015f, d\u00fcrt\u00fc\u015f, s\u0131yr\u0131l\u0131\u015f, sald\u0131r\u0131\u015f<\/em>\u2026) kullan\u0131lmas\u0131, esere T\u00fcrk\u00e7e a\u00e7\u0131s\u0131ndan bir duruluk katmaktad\u0131r.<\/p>\n

Ve \u015fiir. Ats\u0131z\u2019\u0131n romanlar\u0131ndan eksik olmayan m\u0131sralar. \u201cYaz\u0131n\u0131n askercesi olan m\u0131sralar.\u201d (s. 244). Bozkurtlar\u0131n \u00d6l\u00fcm\u00fc\u2019<\/em>nde, kopuz e\u015fli\u011finde Kara Ozan\u2019a ve \u00c7u\u00e7u\u2019ya s\u00f6yletir \u015fiirlerini, burada roman\u0131n kahramanlar\u0131na.<\/p>\n

\u201cSelim Pusat, asker\u00ee lise talebesi oldu\u011fu zamanlardan beri \u015fiir yazard\u0131. Harb Okulu\u2019nda bu merak devam etmi\u015f, subayl\u0131\u011f\u0131 s\u0131ras\u0131nda da \u015fiirle u\u011fra\u015facak vakit bulabilmi\u015fti. Fakat Harb Akademisi\u2019ne girince her \u015feyi b\u0131rakm\u0131\u015f ve sanatlar\u0131n en cidd\u00eesi, g\u00fczel sanatlar\u0131n en \u00fcst\u00fcn\u00fc olarak harp sanat\u0131n\u0131 kabul etmi\u015fti\u2026 Ay\u015fe kendisine \u015fair oldu\u011funu hat\u0131rlat\u0131nca eski yaz\u0131lar\u0131n\u0131 haf\u0131zas\u0131nda bulmaya \u00e7al\u0131\u015ft\u0131:<\/p>\n

\u00a0A\u015fk\u0131nla senin bunca g\u00f6n\u00fcl etmede n\u00e2le\u2026
\nU\u011frunda akan g\u00f6z ya\u015f\u0131m\u0131z oldu \u015fel\u00e2le.
\nOnmaz kara sevdam\u0131z\u0131 kan s\u00f6nd\u00fcrecektir\u2026<\/em><\/p>\n

Bunlarda ne vard\u0131? Hi\u00e7\u2026 \u0130\u00e7inde aruzun \u00e2henginden ba\u015fka bir \u015fey bulunmayan bu m\u0131sralar\u0131 Selim g\u00fcl\u00fcn\u00e7 buldu.\u201d (s. 70-71).<\/p>\n

Sonra o be\u015f k\u0131t\u2019a. \u00c7aml\u0131 Koru\u2019daki kanepede, g\u00f6r\u00fcnmeyen kad\u0131n\u0131n okudu\u011fu \u015fiir:<\/p>\n

Kalbin benim olsun diyorum, \u00e7\u00fcnk\u00fc mukadder\u2026
\nCismin sana yetmez mi? \u00c7abuk kalbini s\u00f6k, ver!
\nYoktur \u00f6te \u00e2lemde de kurtulmaya bir yer!
\nMutlak seveceksin beni, bundan ka\u00e7amazs\u0131n<\/em>\u2026 (s. 76)<\/p>\n

Selim Pusat\u2019\u0131 \u00fcrperten, g\u00fcnlerce, aylarca akl\u0131n\u0131 ve haf\u0131zas\u0131n\u0131 me\u015fgul eden, sonra da onu vazge\u00e7ilemez \u015fekilde o b\u00fcy\u00fck a\u015fka iten m\u0131sralar\u2026<\/p>\n

Selim sonunda sesin sahibini bulacakt\u0131r. G\u00fcnt\u00fcl\u00fc\u2019d\u00fcr bu. G\u00f6r\u00fcnmeyen kad\u0131n\u0131n sesindeki ahenkle ayn\u0131 \u015fiirden iki k\u0131t\u2019a daha okumu\u015ftur:<\/p>\n

Sevda gibi bir gizli emel ruhuna sinmi\u015f;
\nBir haz ki hayalden bile \u00fcst\u00fcn ve derinmi\u015f.
\nG\u00f6kten gelerek g\u00f6nl\u00fcne r\u00fczg\u00e2r gibi inmi\u015f;
\nBir s\u0131r ki bu, \u00f6lsen bile asla a\u00e7amazs\u0131n\u2026
\n<\/em><\/p>\n

Anlatmas\u0131 imk\u00e2ns\u0131z olan \u00f6yle bir an ki,
\nH\u00fclyadaki ses varl\u0131\u011f\u0131n\u0131n gayesi sanki\u2026
\nBak emrediyor: Dald\u0131\u011f\u0131n \u00e2lemden uyan ki
\nMutlak seveceksin beni, bundan ka\u00e7amazs\u0131n<\/em>. (s. 140)<\/p>\n

Son m\u0131sra\u0131 dinleyince Selim, y\u0131ld\u0131r\u0131mla vurulmu\u015fa d\u00f6nm\u00fc\u015ft\u00fcr. Sadece g\u00f6r\u00fcnmeyen kad\u0131n\u0131n sesinin ahengi de\u011fil, \u015fiir de ayn\u0131d\u0131r. Yani g\u00f6r\u00fcnmeyen kad\u0131n G\u00fcnt\u00fcl\u00fc\u2019d\u00fcr. Selim \u015fa\u015fk\u0131nl\u0131k \u00fczerine \u015fa\u015fk\u0131nl\u0131k ya\u015famaktad\u0131r. \u00c7\u00fcnk\u00fc G\u00fcnt\u00fcl\u00fc bu \u015fiirin Selim taraf\u0131ndan yaz\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6ylemi\u015ftir. \u00dcstelik \u201cUnuttu\u011funuza g\u00f6re bin y\u0131l \u00f6nce yazm\u0131\u015f olacaks\u0131n\u0131z.\u201d diyerek.<\/p>\n

Ve nihayet o \u00fcnl\u00fc \u015fiir:<\/p>\n

Ruhun mu ate\u015f, yoksa o g\u00f6zler mi alevden?
\nBilmem, bu yanarda\u011f ne bi\u00e7im korla tutu\u015ftu?
\nPervane olan kendini gizler mi alevden?
\nSen istedin, ondan bu g\u00f6n\u00fcl zorla tutu\u015ftu<\/em>\u2026 (s. 246)<\/p>\n

Roman\u0131n yay\u0131mlan\u0131\u015f\u0131ndan y\u0131llarca \u00f6nce, 03 A\u011fustos 1951\u2019de Orkun dergisinde yer alan \u015fiir. Yollar\u0131n Sonu\u2019nda \u201cGeri Gelen Mektup\u201d ad\u0131n\u0131 alacak olan \u015fiir.<\/p>\n

\u201cSelim g\u00f6zlerinden perde kalkan bir insan gibi ger\u00e7ekleri g\u00f6rmeye ba\u015fl\u0131yordu. Art\u0131k hi\u00e7bir \u015f\u00fcphesi kalmam\u0131\u015ft\u0131: G\u00fcnt\u00fcl\u00fc, a\u015fk konusunu \u015fuuralt\u0131na atm\u0131\u015f bulunan Selim\u2019e kar\u015f\u0131 taarruza ge\u00e7mi\u015f, hem g\u00fczelli\u011fini, hem zek\u00e2s\u0131n\u0131 kullanarak kendisini zorla, evet zorla sevdirmi\u015fti.\u201d (s. 208).<\/p>\n

\u00a0Sen istedin, ondan bu g\u00f6n\u00fcl zorla tutu\u015ftu\u2026 <\/em><\/p>\n

Asl\u0131nda Selim fark\u0131na varmadan, bir s\u00fcredir bu \u015fiiri yaz\u0131yordu. \u015eiirin bir m\u0131sra\u0131n\u0131 da masas\u0131ndaki notlar\u0131 aras\u0131nda unutmu\u015ftu:<\/p>\n

\u00a0 G\u00f6zlerle g\u00fcnah i\u015flemenin zevkini tatt\u0131m<\/em>\u2026 (s. 243)<\/p>\n

Ay\u015fe Pusat bu m\u0131sra\u0131 g\u00f6r\u00fcnce \u201cAcaba Selim bir a\u015fk\u0131n e\u015fi\u011finde mi bulunuyordu?\u201d diye d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fc. Sonra da bu d\u00fc\u015f\u00fcncesinden vazge\u00e7mi\u015fti. Fakat Selim\u2019in kaderi iki bin y\u0131l \u00f6nce \u00e7izilmi\u015fti. \u201cMutlak sevecekti, bundan ka\u00e7amazd\u0131.\u201d Art\u0131k o, \u0131\u015f\u0131k etraf\u0131nda u\u00e7up d\u00f6nen bir pervane idi. Pervane gibi kendini \u0131\u015f\u0131\u011fa at\u0131p yanacakt\u0131; a\u015fk\u0131n\u0131 gizleyemezdi:<\/p>\n

Pervane olan kendini gizler mi alevden?<\/em><\/p>\n

Gizlemedi ve \u015fiiri G\u00fcnt\u00fcl\u00fc\u2019ye g\u00f6nderdi. Fakat g\u00f6nderdi\u011fini bilmiyordu. Mektup geri gelince \u015fiiri yazd\u0131\u011f\u0131n\u0131 ve G\u00fcnt\u00fcl\u00fc\u2019ye g\u00f6nderdi\u011fini hat\u0131rlad\u0131. G\u00f6ndermeye mecburdu; \u201ciki bin y\u0131l \u00f6nceki macera tekrarlan\u0131yordu.\u201d (s. 247).<\/p>\n

***<\/p>\n

Ruh Adam, son derece orijinal ve \u015fa\u015f\u0131rt\u0131c\u0131 kurgusuyla, efsanevi Uygur hik\u00e2yesiyle, ihti\u015faml\u0131 mah\u015fer sahnesiyle, ger\u00e7ek ve hayali olaylar\u0131, aralar\u0131nda fark yokmu\u015f gibi birbirine kar\u0131\u015ft\u0131rarak d\u00fczenlemesiyle, zamanlar a\u015f\u0131r\u0131 ba\u011flant\u0131lar\u0131yla, son derece yal\u0131n bir dille anlat\u0131lan ruh tahlilleriyle, ruh tahlillerinin \u00e7ok \u00f6tesinde hayallerin ve ruhlar\u0131n hadiseler i\u00e7inde cevelan etmesiyle, diliyle, \u015fiiriyle ola\u011fan \u00fcst\u00fc bir sanat eseridir.<\/p>\n

 <\/p>\n

[1]<\/a> Hik\u00e2yeyi bug\u00fcnk\u00fc dile nakleden, roman\u0131n esas kahraman\u0131 Selim de\u011fil, kar\u0131s\u0131 Ay\u015fe\u2019dir.<\/p>\n

[2]<\/a> 26 Ocak 1973\u2019te Hacalo\u011flu\u2019na yazd\u0131\u011f\u0131 mektupta \u201cRuh Adam, ilk yaz\u0131l\u0131\u015f\u0131na g\u00f6re hayli de\u011fi\u015ftirildi.\u201d diyor (2013: 228). Adile Ayda\u2019ya yazd\u0131\u011f\u0131 20 \u015eubat 1973 tarihli mektupta da \u201cRoman yaz\u0131lal\u0131 \u00e7ok olmu\u015ftur. Alt\u0131ndaki tarih makinaya \u00e7ekilmesinin sonunu g\u00f6stermektedir. Ancak, makinaya \u00e7ekilirken, hayli de\u011fi\u015fiklik yap\u0131lm\u0131\u015f, hukuki bak\u0131mdan da tekrar g\u00f6zden ge\u00e7irilmi\u015ftir.\u201d (Ayda 1988: 47) demektedir.<\/p>\n

[3]<\/a> 26 Ocak 1973\u2019te Hacalo\u011flu\u2019na yazd\u0131\u011f\u0131 mektupta dedi\u011fi gibi: \u201cYaln\u0131z bir iki yerde, iki ki\u015fi tek \u015fah\u0131s\u2026 olarak g\u00f6sterilmi\u015ftir.\u201d (Hacalo\u011flu 2013: 228).<\/p>\n

[4]<\/a> Tabii ki romanda evin adresi, lisenin ve \u00e7al\u0131\u015fma yerinin ad\u0131 yoktur. Ancak biz romandaki \u015fah\u0131slarla Ats\u0131z ve kar\u0131s\u0131n\u0131n ayniyetinden hareketle bu mek\u00e2nlara ula\u015fabiliyoruz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ercilasun, konulara bilimin \u0131\u015f\u0131\u011f\u0131n\u0131 getirir. Ancak Ats\u0131z ve T\u00fcrk\u00e7\u00fcl\u00fck onu belirleyen iki unsudur. \u0130lk elden tan\u0131d\u0131\u011f\u0131 muhite bilim eklenince e\u015fsiz bir Ats\u0131z ansikolopedisi do\u011fuyor. E\u015fsizden ne kastedildi\u011fin, Ruh Adam b\u00f6l\u00fcm\u00fcnden bir par\u00e7ada g\u00f6r\u00fcl\u00fcyor. <\/p>\n","protected":false},"author":10,"featured_media":1799,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[2,68],"tags":[],"yoast_head":"\nAts\u0131z- T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn mistik \u00f6nderi - M\u0130SAK- Mill\u00ee Strateji Ara\u015ft\u0131rma Kurulu<\/title>\n<link rel=\"canonical\" href=\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ats\u0131z- T\u00fcrk\u00e7\u00fcl\u00fc\u011f\u00fcn mistik \u00f6nderi - M\u0130SAK- Mill\u00ee Strateji Ara\u015ft\u0131rma Kurulu\" \/>\n<meta property=\"og:description\" content=\"Ercilasun, konulara bilimin \u0131\u015f\u0131\u011f\u0131n\u0131 getirir. Ancak Ats\u0131z ve T\u00fcrk\u00e7\u00fcl\u00fck onu belirleyen iki unsudur. \u0130lk elden tan\u0131d\u0131\u011f\u0131 muhite bilim eklenince e\u015fsiz bir Ats\u0131z ansikolopedisi do\u011fuyor. E\u015fsizden ne kastedildi\u011fin, Ruh Adam b\u00f6l\u00fcm\u00fcnden bir par\u00e7ada g\u00f6r\u00fcl\u00fcyor.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\" \/>\n<meta property=\"og:site_name\" content=\"M\u0130SAK- Mill\u00ee Strateji Ara\u015ft\u0131rma Kurulu\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-11T16:30:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-11T16:49:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/millidusunce.com\/misak\/wp-content\/uploads\/2018\/04\/ats\u0131z2Gri.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"524\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tahmini okuma s\u00fcresi\">\n\t<meta name=\"twitter:data1\" content=\"24 dakika\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/millidusunce.com\/misak\/#organization\",\"name\":\"Mill\\u00ee D\\u00fc\\u015f\\u00fcnce Merkezi\",\"url\":\"https:\/\/millidusunce.com\/misak\/\",\"sameAs\":[],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/millidusunce.com\/misak\/#logo\",\"inLanguage\":\"tr\",\"url\":\"https:\/\/millidusunce.com\/misak\/wp-content\/uploads\/2018\/09\/mdmLogo-yazisiz.jpg\",\"width\":422,\"height\":422,\"caption\":\"Mill\\u00ee D\\u00fc\\u015f\\u00fcnce Merkezi\"},\"image\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/millidusunce.com\/misak\/#website\",\"url\":\"https:\/\/millidusunce.com\/misak\/\",\"name\":\"M\\u0130SAK- Mill\\u00ee Strateji Ara\\u015ft\\u0131rma Kurulu\",\"description\":\"D\\u00fcnyaya T\\u00fcrk\\u00e7\\u00fc Bak\\u0131\\u015f\",\"publisher\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/millidusunce.com\/misak\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"tr\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#primaryimage\",\"inLanguage\":\"tr\",\"url\":\"https:\/\/millidusunce.com\/misak\/wp-content\/uploads\/2018\/04\/ats\\u0131z2Gri.jpg\",\"width\":800,\"height\":524},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#webpage\",\"url\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\",\"name\":\"Ats\\u0131z- T\\u00fcrk\\u00e7\\u00fcl\\u00fc\\u011f\\u00fcn mistik \\u00f6nderi - M\\u0130SAK- Mill\\u00ee Strateji Ara\\u015ft\\u0131rma Kurulu\",\"isPartOf\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#primaryimage\"},\"datePublished\":\"2018-04-11T16:30:16+00:00\",\"dateModified\":\"2018-04-11T16:49:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#breadcrumb\"},\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/millidusunce.com\/misak\/\",\"url\":\"https:\/\/millidusunce.com\/misak\/\",\"name\":\"Anasayfa\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\",\"url\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/\",\"name\":\"Ats\\u0131z- T\\u00fcrk\\u00e7\\u00fcl\\u00fc\\u011f\\u00fcn mistik \\u00f6nderi\"}}]},{\"@type\":\"Article\",\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#webpage\"},\"author\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/#\/schema\/person\/958288ffbfe5dd0254d7c58ae94a0412\"},\"headline\":\"Ats\\u0131z- T\\u00fcrk\\u00e7\\u00fcl\\u00fc\\u011f\\u00fcn mistik \\u00f6nderi\",\"datePublished\":\"2018-04-11T16:30:16+00:00\",\"dateModified\":\"2018-04-11T16:49:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#webpage\"},\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/#organization\"},\"image\":{\"@id\":\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#primaryimage\"},\"articleSection\":\"T\\u00dcRKL\\u00dcK-T\\u00dcRK\\u00c7\\u00dcL\\u00dcK\",\"inLanguage\":\"tr\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/millidusunce.com\/misak\/atsiz-turkculugun-mistik-onderi\/#respond\"]}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/millidusunce.com\/misak\/#\/schema\/person\/958288ffbfe5dd0254d7c58ae94a0412\",\"name\":\"Ahmet Bican Ercilasun\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/millidusunce.com\/misak\/#personlogo\",\"inLanguage\":\"tr\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ffb4743f36880c35166d683c0ba4a276?s=96&d=mm&r=g\",\"caption\":\"Ahmet Bican Ercilasun\"},\"description\":\"Akademik Hayat: 1986 Profes\\u00f6r 1979 Do\\u00e7ent (Kutadgu Bilig'de Fiil) 1971 Doktor (Atat\\u00fcrk \\u00dcniversitesi) 1967 T\\u00fcrk Dili ve Edebiyat\\u0131 Lisans\\u0131 (\\u0130stanbul \\u00dcniversitesi) \\u0130\\u015f Hayat\\u0131: 1986-2010: Gazi \\u00dcniversitesi. 2004-2005: Girne Amerikan \\u00dcniversitesi. 2001-2002: T\\u00fcrkiye-K\\u0131rg\\u0131zistan Manas \\u00dcniversitesi. 1993-2000: T\\u00fcrk Dil Kurumu. 1971-1986: Hacettepe \\u00dcniversitesi. 1976-1977: University of Washington - Seattle\/ABD (misafir ara\\u015ft\\u0131rmac\\u0131). 1967-1971: Atat\\u00fcrk \\u00dcniversitesi. Eserleri: - Arpa\\u00e7ay K\\u00f6ylerinden Derlemeler (Prof. Dr. Sel\\u00e2hattin Olcay ve Dr. Ensar Aslan'la birlikte) (Ankara 1976). - Bug\\u00fcnk\\u00fc T\\u00fcrk Alfabeleri I-II (Ankara 1977). - Kars \\u0130li Ag\\u0131zlar\\u0131 - Ses Bilgisi (Ankara 1983). - Kutadgu Bilig Grameri \\u2013 Fiil (Ankara 1984). - Dilde Birlik (\\u0130stanbul 1984). - Uygur Halk Masallar\\u0131 (\\u015eek\\u00fcr Turan'la birlikte) (Ankara 1989). - \\u00d6rneklerle Bug\\u00fcnk\\u00fc T\\u00fcrk Alfabeleri (Ankara 1990). - Mo\\u011folistan ve \\u00c7in G\\u00fcnl\\u00fc\\u011f\\u00fc (Ankara 1991). - Kar\\u015f\\u0131la\\u015ft\\u0131rmal\\u0131 T\\u00fcrk Leh\\u00e7eleri S\\u00f6zl\\u00fc\\u011f\\u00fc 1-2 (ortak) (Ankara 1991, 1992). - T\\u00fcrk D\\u00fcnyas\\u0131 \\u00dczerine \\u0130ncelemeler (Ankara 1998). - T\\u00fcrk Dili I-II-III-IV (Leyla Karahan ile birlikte) (Ankara 1994-1996). - G\\u00fclnar -roman- (\\u0130stanbul 1998). - Ba\\u015flang\\u0131\\u00e7tan Yirminci Y\\u00fczy\\u0131la T\\u00fcrk Dili Tarihi (Ankara 2004). - 2BA Beden Beyin Ak\\u0131m\\u0131 -roman- (Ankara 2006). - Kar\\u015f\\u0131la\\u015ft\\u0131rmal\\u0131 T\\u00fcrk Leh\\u00e7eleri Grameri-I Fiil - Basit \\u00c7ekim (Ortak) (Ankara 2006). - Makaleler \\u2013 Dil-Destan-Tarih-Edebiyat (Yay\\u0131na haz\\u0131rlayan: Ekrem Ar\\u0131ko\\u011flu) (Ankara 2007). - T\\u00fcrk Leh\\u00e7eleri Grameri (Edit\\u00f6r) (Ankara 2007). - K\\u00e2\\u015fgarl\\u0131 Mahmud - D\\u00eev\\u00e2nu Lug\\u00e2ti\\u2019t-T\\u00fcrk \\u2013 Giri\\u015f-Metin-\\u00c7eviri-Notlar-Dizin (Ziyat Akkoyunlu ile birlikte) (Ankara 2014). - T\\u00fcrk\\u2019\\u00fcn Kay\\u0131p Kitab\\u0131-Ulu Han Ata -roman- (Ankara 2016). - T\\u00fcrk Ka\\u011fanl\\u0131\\u011f\\u0131 ve T\\u00fcrk Beng\\u00fc Ta\\u015flar\\u0131 (Ankara 2016). - Bir\\u00e7ok ilm\\u00ee ve fikr\\u00ee makale. - K\\u00f6\\u015fe Yaz\\u0131lar\\u0131 (2008'den itibaren Yeni\\u00e7a\\u011f gazetesinde).\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","_links":{"self":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts\/1792"}],"collection":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/comments?post=1792"}],"version-history":[{"count":0,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts\/1792\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/media\/1799"}],"wp:attachment":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/media?parent=1792"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/categories?post=1792"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/tags?post=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}