{"id":9688,"date":"2020-04-16T19:30:06","date_gmt":"2020-04-16T16:30:06","guid":{"rendered":"https:\/\/millidusunce.com\/misak\/?p=9688"},"modified":"2020-04-13T14:27:06","modified_gmt":"2020-04-13T11:27:06","slug":"konservatuardaki-konserlerde-kontrbas-calmaya-dair","status":"publish","type":"post","link":"https:\/\/millidusunce.com\/misak\/konservatuardaki-konserlerde-kontrbas-calmaya-dair\/","title":{"rendered":"Konservatuardaki konserlerde kontrbas \u00e7almaya dair"},"content":{"rendered":"

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D\u0131\u015far\u0131daki \u00f6yle ucundan k\u0131y\u0131s\u0131ndan kendisini hat\u0131rlatman\u0131n \u00f6tesine \u00e7oktan ge\u00e7mi\u015f zil zurna taze bahara ra\u011fmen, evlerde tak\u0131lmakl\u0131\u011f\u0131m\u0131z\u0131 icap ettiren – g\u00f6z\u00fcn\u00fcz\u00fc seveyim, sizler de evde kal\u0131n\u0131z efendim! – vir\u00fcsl\u00fc Koronal\u0131 bu tuhaf ahir zaman g\u00fcnlerinde g\u00f6n\u00fcl tellerime d\u00fc\u015fen isimsiz ezgiler say\u0131s\u0131z. \u00d6te yandan, dima\u011f\u0131ma bu garip k\u0131\u015f sonunda konu\u015flanan dizelerse – belki de benzeri bir gurbetin ilham\u0131yla yaz\u0131ld\u0131klar\u0131ndan olsa gerek – merhum Yahya Kemal\u2019in ayn\u0131 h\u00fcz\u00fcnl\u00fc beytine ait hep:<\/p>\n

\u201cZihnim bu \u015fehirden, bu devirden \u00e7ok uzakta,<\/p>\n

Tanb\u00fbri Cemil Bey \u00e7al\u0131yor eski pl\u00e2kta.\u201d<\/p>\n

\u201cKar Mus\u0131k\u00eeleri\u201dnin bu son derece gerekli karantinam\u0131z\u0131n do\u011furdu\u011fu duygu yuma\u011f\u0131na hisde\u015f t\u0131n\u0131lar\u0131na kap\u0131l\u0131p gitmem yersiz de\u011fil. Zira Netflix\u2019de yirmi b\u00f6l\u00fcm \u00fcst \u00fcste gerilim dizisi izlemek ya da \u201cN\u2019inci G\u00f6bekler\u00fcst\u00fc Laptopta Film Maratonu Yapma Festivali\u201d d\u00fczenlemek ve benzeri k\u00fc\u00e7\u00fcmen ve zarars\u0131z delilikler bir yere kadar. Vakit ge\u00e7irmekten ziyade zaman harcamak etraf\u0131nda bi\u00e7imlenen \u00f6m\u00fcr de\u011firmeni bu t\u00fcr ev avuntular\u0131 bir noktada l\u00e2l kesiliyor. Ya da tam aksine dile gelip havlu atarak adeta \u201cHac\u0131m benden bu kadar, zaten hepi topu \u00fc\u00e7 sezonluk HBO dizisiyim, al topunu biraz da az \u00f6tede oyna\u201d diyor bana. Bu ba\u011flamda ben kim miyim? Maalesef, hemen hemen hepimiz gibi, kablosuz a\u011fa ba\u011flanamay\u0131nca hayat damarlar\u0131n\u0131n en aortsal\u0131 kesilmi\u015f\u00e7esine bir \u00e7aresizli\u011fe kap\u0131lmaya meyyal g\u00fcn\u00fcm\u00fcz insan\u0131 halleriyle mal\u00fbl, bin y\u0131l\u0131n ba\u015flar\u0131nda iki y\u00fcz elli gramdan hallice ortak akl\u0131n\u0131 da d\u00fcr\u00fcm yaparak afiyetle yemekle me\u015fgul d\u00fcnyam\u0131z\u0131n s\u0131radan bir sakini.<\/p>\n

Yine de gelece\u011fe dair umutluyum. \u00c7\u00fcnk\u00fc sanat var. Bu y\u00fczden ad\u0131m gibi biliyorum; bu \u00e7\u0131lg\u0131n g\u00fcnlerin tozu duman\u0131 inip ya\u015fam yeniden \u201cnormal\u201d olarak nitelendirdi\u011fimiz \u00e7ekici rutinlerden olu\u015fan nihayetsiz resmige\u00e7ide d\u00f6n\u00fcnce, bu \u201cbombastik\u201d zamanlardan geriye nice sanat eseri kalacak. \u015eark\u0131lar d\u00e2hil\u2026<\/p>\n

\u015e\u00fck\u00fcrler olsun ki erken s\u00f6k\u00fcn eden – bu derece deli ye\u015fil bir adada ya\u015faman\u0131n, Allah vergisi cennet vatan\u0131m\u0131z\u0131n mavi semalar\u0131na olan hasretimizi artt\u0131ran t\u00fcrden, kara bulutlara tahvil edilmi\u015f bir bedeli de var do\u011frusu – bahar\u0131n bamba\u015fka bir mevsimden ilham\u0131n\u0131 alan akraba duygular\u0131n\u0131 ifade eden dizelerin m\u00fczi\u011fe ili\u015fkin olmas\u0131 bo\u015funa de\u011fil. \u0130\u015fte bizler de yukar\u0131da de\u011findi\u011fim \u201cg\u00fcn \u00f6\u011f\u00fct\u00fcc\u00fc\u201d faaliyetlerden s\u0131k\u0131ld\u0131\u011f\u0131m\u0131zda, y\u00fcrek kanatlar\u0131m\u0131z\u0131 \u00f6z m\u00fczi\u011fimizle a\u00e7\u0131p geriniyoruz.<\/p>\n

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S\u00f6z\u00fcn \u00f6z\u00fc; yaz\u0131y\u0131 kaleme ald\u0131\u011f\u0131m g\u00fcnlerde vefat y\u0131ld\u00f6n\u00fcm\u00fcn\u00fc idrak etti\u011fimiz kutlu bir zincirin ne yaz\u0131k ki son halkas\u0131 bir b\u00fcy\u00fck ozan\u0131n dedi\u011fi gibi;<\/p>\n

\u201cT\u00fcrk\u00fcz t\u00fcrk\u00fc \u00e7\u0131\u011f\u0131r\u0131r\u0131z.\u201d<\/p>\n

Ayn\u0131 g\u00f6n\u00fcl makam\u0131ndan, bizler de gurbette ayr\u0131 bir \u00f6zenle sar\u0131p sarmalad\u0131\u011f\u0131m\u0131z \u00f6z\u00fcm\u00fcze bir ba\u015fka a\u015fkla r\u00fccu ederek teselliyi, umudu, ya\u015fama sevincini yine t\u00fcrk\u00fclerimizde, m\u00fczi\u011fimizde buluyoruz.<\/p>\n

Sohbetimizin ba\u015fl\u0131\u011f\u0131ndaki ifade, \u00e7ok sevdi\u011fim merhum bir tiyatro sanat\u00e7\u0131m\u0131z\u0131n unutulmaz bir oyununa ait. Son derece ciddi bir i\u015f olan mizah\u0131n \u00fcstad\u0131, mahcup delikanl\u0131 rol\u00fcnde, g\u00f6n\u00fcl d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fc k\u0131za a\u00e7\u0131lmaya, dolay\u0131s\u0131yla solunum yetmezli\u011fi \u00e7ekercesine bir heyecanla tatl\u0131 tatl\u0131 sa\u00e7malamaya devam ederken kendisine ne i\u015f yapt\u0131\u011f\u0131 sorulunca bir \u00e7\u0131rp\u0131da bu bol aliterasyonlu ifadeyi \u201cs\u0131k\u0131lay\u0131p\u201d sonras\u0131nda da umars\u0131zca vaziyeti toparlamaya \u00e7al\u0131\u015f\u0131yordu. Ben kendimce, sanat m\u0131 hayat\u0131 taklit eder hayat m\u0131 sanat\u0131 a\u00e7maz\u0131na m\u00fctevaz\u0131 bir yan\u0131t olarak buradan m\u00fczik \u00fczerine \u015fu tespite uzanm\u0131\u015ft\u0131m:<\/p>\n

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\u201cHan\u0131m k\u0131zlar\u0131m\u0131z ne kadar Katy Perry\u2019den \u2018Roar\u2019 ya da – Kuzey Kore\u2019nin gonca g\u00fcl\u00fc tombul o\u011flan Kim gibi gizli gizli – \u2018Fire Work\u2019\u00a0 dinlerlerse dinlesinler, k\u0131na gecelerinde \u2018Y\u00fcksek Y\u00fcksek Tepelere Ev Kurmas\u0131nlar\u2019 t\u00fcrk\u00fcs\u00fc \u00e7alacak!\u201d<\/p>\n

Pop\u00fcler olana meyil gayet do\u011fal, genel ge\u00e7erden ho\u015flanmak insanl\u0131k hali, \u015feker \u015furup sabun k\u00f6p\u00fc\u011f\u00fc \u015fark\u0131lar her d\u00fc\u011f\u00fcn salonuna laz\u0131m; bunlara ve benzeri durumlar\u0131n alay\u0131na i\u00e7ten ve derinden amenna\u2026 Ancak g\u00fcn\u00fcn sonunda aslolan h\u00e2l\u00e2 s\u00f6yleyecek t\u00fcrk\u00fclerimizin olup olmad\u0131\u011f\u0131. T\u0131pk\u0131 Mevl\u00e2n\u00e2 Celaleddin-i Rumi\u2019nin dedi\u011fi gibi;<\/p>\n

\u201cBir aya\u011f\u0131 hakta iken di\u011fer aya\u011f\u0131 ile \u00e2lemleri dola\u015fan bir pergel misali\u2026\u201d<\/p>\n

Konservatuardaki konserlerde kontrbas \u00e7al\u0131nmas\u0131na hi\u00e7 kimsenin itiraz\u0131 oldu\u011funu sanm\u0131yorum. (\u015eahs\u0131m ad\u0131na s\u00f6ylemek boynumun borcudur ki hatti zat\u0131nda \u00e7ello zaten mefdunu oldu\u011fum bir entr\u00fcmand\u0131r!) Fakat ortak d\u00fcnya k\u00fclt\u00fcr\u00fcne ba\u015fka milletlerin sayg\u0131 duydu\u011fu \u00f6zg\u00fcn eserlerle katk\u0131da bulunmak istiyorsak kan\u0131mca yerel seslerimizi yitirmeden s\u0131n\u0131rlar\u0131m\u0131z\u0131n \u00f6tesine seslenmemiz \u015fart. Aksi halde; sesimizin sahibi olamazsak \u201cSahibinin Sesi\u201d olmak gibi ac\u0131 bir kaderle y\u00fczle\u015firiz.<\/p>\n

\u00c7are her zamanki gibi, Cem Y\u0131lmaz\u2019\u0131n malum g\u00f6sterisinde bamba\u015fka telden de olsa ifade etti\u011fi \u00fczere \u201ci\u00e7inde\u201d yani i\u00e7imizde. Daha a\u00e7\u0131\u011f\u0131, T\u00fcrk\u00e7\u00fc bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc etraf\u0131nda bi\u00e7imlenen ve \u00f6yle oldu\u011fu i\u00e7indir ki ge\u00e7erlili\u011fini h\u00e2l\u00e2 koruyan devletimizin kurucu bak\u0131\u015f a\u00e7\u0131s\u0131yla hareket etmek. T\u00fcrkl\u00fck ile ayn\u0131 art\u0131 sonsuza uzanan raf \u00f6mr\u00fcne sahip bir m\u00fczik k\u00fclt\u00fcr\u00fcn\u00fc, olanca yerlili\u011fi ve bu sayede uluslararas\u0131 itibar\u0131 ile hak etti\u011fi yere y\u00fckseltmenin s\u0131rr\u0131 ayan beyan bu asl\u0131nda.<\/p>\n

Bu ba\u011flamda, Cumhuriyet\u2019in ilk y\u0131llar\u0131ndaki m\u00fczik politikas\u0131na ili\u015fkin bir tak\u0131m kas\u0131ts\u0131z yanl\u0131\u015f anlamalar\u0131n ve art\u0131k aram\u0131zda olmamas\u0131ndan duydu\u011fum i\u00e7ten sevinci saklamamakla \u00f6v\u00fcnd\u00fc\u011f\u00fcm \u015feref yoksunu dondurmac\u0131 fesli ak\u0131l hastas\u0131 bir zavall\u0131 ve avanesinin k\u00f6p\u00fcrtt\u00fc\u011f\u00fc kas\u0131tl\u0131 yalanlar\u0131n \u00f6tesine, eldeki somut verilerle ge\u00e7mekte yarar var.<\/p>\n

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O halde bakal\u0131m, T\u00fcrk Halk M\u00fczi\u011fi ad\u0131na bahsi ge\u00e7en d\u00f6nemde neler yap\u0131lm\u0131\u015f:<\/p>\n

Merhum Kurucu Cumhurba\u015fkan\u0131m\u0131z Gazi Mare\u015fal Mustafa Kemal Atat\u00fcrk\u2019\u00fcn “bizim hakiki musikimiz” dedi\u011fi halk m\u00fczi\u011fimizin derlenmesine daha 1924 gibi g\u00f6rece erken bir d\u00f6nemde ba\u015flanm\u0131\u015ft\u0131r. Bunun sonucunda, \u0130stanbul Konservatuar\u0131’n\u0131n 1924’teki halk m\u00fczi\u011fi derleme anketinden sonra \u015fimdiki ad\u0131yla ifade edersek Milli E\u011fitim K\u00fclt\u00fcr M\u00fcd\u00fcrl\u00fc\u011f\u00fc, Seyfettin ve Sezai (Asaf) biraderleri \u00f6zel olarak g\u00f6revlendirip Bat\u0131 Anadolu’ya halk t\u00fcrk\u00fcleri derlemeye g\u00f6ndermi\u015ftir. Derlenen t\u00fcrk\u00fcler 1925\u2019te \u201cYurdumuzun Na\u011fmeleri\u201d ad\u0131 alt\u0131nda yay\u0131mlanm\u0131\u015f ve b\u00fcy\u00fck bir ilgiyle kar\u015f\u0131lanm\u0131\u015ft\u0131r.<\/p>\n

O y\u0131llarda verdikleri konserlerde kontrbasa atfettikleri \u00f6nemi bilmiyoruz ama – \u015faka bir yana – bildi\u011fimiz \u015fu: \u0130stanbul Konservatuar\u0131 1926-1929 y\u0131llan aras\u0131nda Anadolu’ya tam d\u00f6rt b\u00fcy\u00fck \u00e7apl\u0131 derleme gezisi d\u00fczenlemi\u015ftir. \u0130\u015fbu geziler neticesinde derlenen ezgiler ”Halk T\u00fcrk\u00fcleri” ad\u0131 alt\u0131nda 15 farkl\u0131 cilt halinde yay\u0131mlanm\u0131\u015ft\u0131r. 1929’daki d\u00f6rd\u00fcnc\u00fc gezi s\u0131ras\u0131nda baz\u0131 halk oyunlar\u0131m\u0131z filme de al\u0131nm\u0131\u015ft\u0131r. Devlet \u00f6dene\u011fiyle yap\u0131lan d\u00f6rt derleme gezisine ba\u015fta Konservatuar M\u00fcd\u00fcr\u00fc Yusuf Ziya (Demircio\u011flu) olmak \u00fczere Rauf Yekta, D\u00fcrri Turan ve Ekrem Besim Beyler, Muhittin Sad\u0131k (Sadak), Mahmut Rag\u0131p (Gazimihal), Ferruh (Arsunar), Abd\u00fclkadir (\u0130nan) Beyler de kat\u0131lm\u0131\u015flard\u0131r. Kald\u0131 ki, \u0130stanbul Konservatuar\u0131 \u00f6ncekilerden farkl\u0131 olarak bu sefer devlet \u00f6dene\u011fi almaks\u0131z\u0131n Halk Bilgisi Derne\u011fi uzmanlar\u0131n\u0131n kat\u0131l\u0131m\u0131yla 1932\u2019de be\u015finci bir derleme gezisi daha d\u00fczenlemi\u015ftir.<\/p>\n

Atat\u00fcrk’\u00fcn \u0131srarl\u0131 \u00e7abalar\u0131n\u0131n onlarca g\u00fczel meyvesinden birisi olan Ankara Devlet Konservatuar\u0131’n\u0131n 6 May\u0131s 1936\u2019da kurulmas\u0131ndan sonra halk m\u00fczi\u011fi derlemeleri yepyeni bir ivme kazanarak s\u00fcrd\u00fcr\u00fclm\u00fc\u015ft\u00fcr. 1936\u2019da Ankara Halkevi’nin daveti \u00fczerine tan\u0131nm\u0131\u015f Macar M\u00fczikologu ve bestecisi Bela Bartok (1881-1945) Ankara’ya gelmi\u015ftir. Bartok, \u00fc\u00e7 konferans vererek halk m\u00fczi\u011fi \u00fcr\u00fcnlerinin derlenmesinin \u00f6nemine dikkatleri \u00e7ekerken \u00f6te yandan kendisi de, 18-25 Kas\u0131m 1936 aras\u0131nda geni\u015f bir kat\u0131l\u0131mla ger\u00e7ekle\u015ftirdi\u011fi bir geziyle, Adana y\u00f6resinde derlemeler yapm\u0131\u015ft\u0131r. Atat\u00fcrk d\u00f6neminde ayr\u0131ca 1937 ve 1938 y\u0131llar\u0131nda da iki b\u00fcy\u00fck derleme gezisi daha yap\u0131ld\u0131\u011f\u0131na \u015fahit oluyoruz. Burada fikir vermesi a\u00e7\u0131s\u0131ndan, kendi alan\u0131nda \u201c\u015eampiyonlar Ligi R\u00fcya Tak\u0131m\u0131\u201d havas\u0131n\u0131 yakalam\u0131\u015f, bu son iki gezinin kat\u0131l\u0131mc\u0131lar\u0131na \u015f\u00f6yle bir g\u00f6z atmakta fayda var. Kadroya bakar m\u0131s\u0131n\u0131z efendim:<\/p>\n

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Ferit Alnar, Necil Kaz\u0131m Akses, Ulvi Cemal Erkin, Halil Bedii Y\u00f6netken, Muzaffer Sar\u0131s\u00f6zen, Arif Etikan, Cevat Memduh Altar, Tahsin Banguo\u011flu, Nurullah Ta\u015fk\u0131ran, R\u0131za Yeti\u015fen. Sohbetin buras\u0131nda, g\u00fczel yurdumuzun hangi cennet k\u00f6\u015fesinden olursak olal\u0131m muhakkak hepimize en az bir memleket t\u00fcrk\u00fcs\u00fcn\u00fc nisyandan kurtar\u0131p arma\u011fan etmi\u015f bu isimleri rahmetle anman\u0131n boynumuzun borcu oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Halk m\u00fczi\u011fi derleme gezilerine Atat\u00fcrk’\u00fcn \u00f6l\u00fcm\u00fcnden sonra da 1953 y\u0131l\u0131na kadar devam edilmi\u015f, a\u015fa\u011f\u0131 yukar\u0131 b\u00fct\u00fcn iller dola\u015f\u0131lm\u0131\u015f, 10.000 civar\u0131nda ezgi derlenmi\u015f, bunlar\u0131n 2.000 kadar\u0131 merhum Muzaffer Sar\u0131s\u00f6zen taraf\u0131ndan notaya al\u0131narak \u201cYurttan Sesler\u201d programlar\u0131yla yurda yay\u0131lm\u0131\u015ft\u0131r. Ali Ekber \u00c7i\u00e7ek, \u00dclk\u00fc Be\u015fg\u00fcl, \u015eakir \u00d6ner G\u00fclhan, Nursa\u00e7 Do\u011fan\u0131\u015f\u0131k, Hale G\u00fcr, Seyit Al\u2019dan dinlemeye doyamad\u0131\u011f\u0131m\u0131z onca t\u00fcrk\u00fc hep o \u201cT\u00fcrk R\u00f6nesans\u0131\u201d d\u00f6neminin bize yadig\u00e2r\u0131d\u0131r.<\/p>\n

Konservatuvarlar ve benzeri merkezi resmi kurulu\u015flar i\u015fbu derlemelerle milli haf\u0131zay\u0131 geri kazand\u0131r\u0131rken, yine Atat\u00fcrk\u2019\u00fcn iste\u011fiyle 19 \u015eubat 1932’de kurulan Halkevleri de halk m\u00fczi\u011fi konusunda \u00e7ok \u00f6nemli \u00e7al\u0131\u015fmalara \u00f6n ayak olmu\u015flard\u0131r. 1932-1951 d\u00f6neminde, T\u00fcrk Folklorunun hemen hemen b\u00fct\u00fcn dallar\u0131nda derleme, ara\u015ft\u0131rma, e\u011fitim \u00e7al\u0131\u015fmalar\u0131 ba\u015far\u0131yla y\u00fcr\u00fct\u00fclm\u00fc\u015ft\u00fcr. Bulunduklar\u0131 y\u00f6relerin halk \u015fairlerinin, ses ve saz sanat\u00e7\u0131lar\u0131n\u0131n topland\u0131\u011f\u0131 yerler olan Halkevleri, pek \u00e7ok gencin ba\u011flama \u00e7almay\u0131, usul\u00fcyle t\u00fcrk\u00fc s\u00f6ylemeyi, halk danslar\u0131 \u00f6\u011frendikleri k\u00fclt\u00fcr ocaklar\u0131 olmu\u015flard\u0131r.<\/p>\n

Rahmetli dedemin deyimiyle \u201cKoca Eseler\u2019in t\u00fcrk\u00fc \u00e7\u0131\u011f\u0131rd\u0131\u011f\u0131 gibi\u201d konuyu biraz da\u011f\u0131t\u0131p malumata bo\u011fduysam kusura bakmay\u0131n. Amac\u0131m sadece \u015fu hakikat\u0131n alt\u0131n\u0131 hak etti\u011fi kal\u0131nl\u0131kla ve hatta italik iri puntolar kullanarak \u00e7izmek:<\/p>\n

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Kendi meydan\u0131m\u0131za da d\u00fcnya sahnesine de ancak \u00f6z sesimiz olan T\u00fcrk m\u00fczi\u011fiyle \u00e7\u0131karak sayg\u0131, sevgi ve k\u00fclt\u00fcrel anlamda \u00f6l\u00fcms\u00fczl\u00fck kazanabiliriz.<\/p>\n

T\u00fcrk m\u00fczi\u011fi \u00fczerine sohbetlere, Covit-19\u2019in de olmaz olas\u0131ca katk\u0131lar\u0131yla, \u00e7alma listelerimizi biteviye uzatt\u0131\u011f\u0131m\u0131z \u015fu g\u00fcnlerin de \u00f6tesinde sa\u011fl\u0131kla de\u011finebilmek dile\u011fiyle…<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00fcktedan yazar Liath McGorman kendine has \u00fcslubu ile okuyucusuyla sohbet ederken ayn\u0131 zamanda T\u00fcrk R\u00f6nesans\u0131 olarak isimlendirilen Atat\u00fcrk D\u00f6nemi k\u00fclt\u00fcr devrimlerini halk m\u00fczi\u011fi \u00f6zelinde incelemektedir.<\/p>\n","protected":false},"author":76,"featured_media":9698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_ef_editorial_meta_date_first-draft-date":"","_ef_editorial_meta_paragraph_assignment":"","footnotes":"","_links_to":"","_links_to_target":""},"categories":[62,2],"tags":[],"coauthors":[248],"class_list":["post-9688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-egitim-kultur","category-genel"],"_links":{"self":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts\/9688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/users\/76"}],"replies":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/comments?post=9688"}],"version-history":[{"count":6,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts\/9688\/revisions"}],"predecessor-version":[{"id":9747,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/posts\/9688\/revisions\/9747"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/media\/9698"}],"wp:attachment":[{"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/media?parent=9688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/categories?post=9688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/tags?post=9688"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/millidusunce.com\/misak\/wp-json\/wp\/v2\/coauthors?post=9688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}